The Indiscretion of the Duchess: Being a Story Concerning Two Ladies, a Nobleman, and a NecklaceHope, Anthony
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The Indiscretion of the Duchess: Being a Story Concerning Two Ladies, a Nobleman, and a Necklace
Hope, Anthony
British -- France -- Fiction; Conduct of life -- Fiction; Jewelry -- Fiction
I stole a glance at Mme. Delhasse. Consternation was writ large on her
face, and suspicion besides. She gave her daughter a quick sidelong
glance, and a frown gathered on her brow. So far as I heard, however, she
attempted no remonstrance. She rose, wrapping a shawl round her, and made
for the door. I sprang up and opened it; she walked out. Marie drew a
chair to the fire and sat down with her back to me, toasting her feet--for
the summer night had turned chilly. I finished my supper. The clock struck
half-past eleven. I stifled a yawn; one smoke and then to the bed was my
programme.
Marie Delhasse turned her head half-round.
"You must not," said she, "let me prevent you having your cigarette. I
should set you at ease by going to bed, but I can't sleep so early, and
upstairs the fire is not lighted."
I thanked her and approached the fire. She was gazing into it
meditatively. Presently she looked up.
"Smoke, sir," she said imperiously but languidly.
I obeyed her, and stood looking down at her, admiring her stately beauty.
"You have passed the day here?" she asked, gazing again into the fire.
"In this neighborhood," said I, with discreet vagueness.
"You have been able to pass the time?"
"Oh, certainly!" That had not been my difficulty.
"There is, of course," she said wearily, "Mont St. Michel. But can you
imagine anyone living in such a country?"
"Unless Fate set one here--" I began.
"I suppose that's it," she interrupted.
"You are going to make a stay here?"
"I am," she answered slowly, "on my way to--I don't know where."
I was scrutinizing her closely now, for her manner seemed to witness more
than indolence; irresolution, vacillation, discomfort, asserted their
presence. I could not make her out, but her languid indifference appeared
more assumed than real.
With another upward glance, she said:
"My name is Marie Delhasse."
"It is a well-known name," said I with a bow.
"You have heard of me?"
"Yes."
"What?" she asked quickly, wheeling half-round and facing me.
"That you are a great singer," I answered simply.
"Ah, I'm not all voice! What about me? A woman is more than an organ pipe.
What about me?"
Her excitement contrasted with the langour she had displayed before.
"Nothing," said I, wondering that she should ask a stranger such a
question. She glanced at me for an instant. I threw my eyes up to the
ceiling.
"It is false!" she said quietly; but the trembling of her hands belied her
composure.
The tawdry gilt clock on the mantelpiece by me ticked through a long
silence. The last act of the day's comedy seemed set for a more serious
scene.
"Why do you ask a stranger a question like that?" I said at last, giving
utterance to the thought that puzzled me.
"Whom should I ask? And I like your face--no, not because it is handsome.
You are English, sir?"
"Yes, I am English. My name is Gilbert Aycon."
"Aycon--Aycon! It is a little difficult to say it as you say it."
Public-domain text, read in full here on John Shaqi.
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