The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
This information may be increased by quoting another interesting MS. on
the history of this town (Bib. Nac. F. 142) in which the writer, Fr.
Andres de Torrejon, who professed in the convent of Santa Catalina in
1568, says:--"The earthenware pottery made here has reached to a great
height of perfection; it is formed of white and red clay. Vases, cups,
_bucaros_ and _brinquiños_ are made of different kinds, dishes and table
centres, and imitations of snails, owls, dogs and every kind of fruits,
olives, and almonds. These objects are painted with great perfection,
and the imitations of porcelain brought from the Portuguese Indies are
most excellent. Every one wonders that in so small a town such excellent
things should be made. The varnish used for the white pottery is made
with tin and sand, it is now found to be more acceptable than coloured
earthenware, so much so, that persons of importance who pass by this
town although they have in their houses dinner services of silver, buy
earthenware made at Talavera, on account of its excellence. The sand
which was used to make the white varnish was brought from Hita, it is
now found at Mejorada, near Talavera. This sand is as fine and soft as
silk."
"The red pottery made at Talavera is much to be commended, for besides
the great variety of objects which they make, the different medals which
they place upon them, they have invented some small _brinquiños_ of so
small and delicate a kind, that the ladies wear them. Rosaries are also
made of the same material. A certain scent is added in the manufacture
of this pottery which excites the appetite and taste of the women, who
eat the pottery so frequently that it gives great trouble to their
confessors to check this custom."
In a volume of "Relaciones Topograficas de los Pueblos de España hechas
en 1576," (MS. in fol. t. ii.) we find, in speaking of Talavera, that
the author says: "What is most excellent there is the white pottery, and
tiles and other objects of this earthenware with which the kingdom and
part of Portugal are provided."
In Larruga's "Memorias Politicas y Economicas," (vol. x. Madrid, 1741,)
we find, p. 22, that "the manufactory of fine earthenware of Talavera de
la Reyna continued to make much pottery of importance until 1720: eight
kilns existed then, which employed more than 400 persons, men, women and
children. These manufactories possessed at that time large sums of
money. From that time this industry decayed to such an extent, that in
1730 only four kilns existed where pottery of a very inferior kind was
produced."
The industry was revived later on in the century, but the finest
specimens are of an earlier date. Larruga adds, in p. 17, vol. x., of
his "Memorias," that "Talavera ware is of a lighter clay than the
imitations of this earthenware which were made in other localities."
Public-domain text, read in full here on John Shaqi.
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