The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
In 1780 four rival pottery works were established in the neighbourhood
which copied and imitated the pottery made at Alcora. The two most
important were at Rivasalbes and Onda, the other two at Alcora itself.
Many of the artists who belonged to the works established by Count
Aranda worked at the rival factories; among them were Mariano Causada,
Joaquin Ten, Francisco Marsal, Vicente Alvaro, Christoval Mascarós,
Francisco and Miguel Badenas, and Nadal Nebot; some of these artists
returned to the Count's manufactory. In order to distinguish the genuine
pottery from imitations, orders were given, with the authorization of
the Tribunal of Commerce, that the pottery made there should be marked
henceforward with the letter A; no special mark had hitherto been used
at the manufactory, the artists very often signed the specimens they
made with their monograms or signatures, of which those most frequently
met with will be found accompanying the list of artists' names, for the
help of collectors; all of them have been copied from original
documents. It is interesting for collectors to bear in mind, that all
specimens which are marked with the letter A are _posterior_ to 1784.
The pottery works founded in imitation of the manufactory belonging to
Count Aranda came to an end before 1790, some by special agreement with
the owners themselves, and others by the express orders of the
authorities, in virtue of the privileges granted to the Count.
Mr. Martin died at Alcora in the month of May, 1786. Knipfer left soon
afterwards, and was succeeded by a French artist, M. Pierre
Cloostermans, a skilful man, and well versed in the manufacture of
porcelain pastes, as well as in painting and decorating them. According
to his contract, which was drawn up in Paris in 1787, "Pierre
Cloostermans, chemiste, natif de Paris, demeurant à Paris, Rue de
Clery, au coin de celle Montmartre," agreed to "live for thirty years at
Alcora as director and workman, to make soft and hard porcelains, and
all the necessary colours with which to paint and decorate it."
Public-domain text, read in full here on John Shaqi.
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