The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
Another most important object, although less ancient than the former
one, is an Arabian banner which is traditionally believed to have been
taken from the Almohades at the battle of Las Navas, A.D. 1212. This
banner, which is preserved at the monastery of Las Huelgas of Burgos, is
ten feet high by seven feet three inches wide. It is made of a crimson
stuff, covered with an ornamentation woven and embroidered in gold and
colours. In the centre is a large circle, placed within a square, which
is enlarged in parallel bands. The four largest bands, which are also
the last, are covered with inscriptions in blue African characters. The
upper part of this banner is prolonged with several bands, one of which
has inscriptions of a similar kind to those already mentioned; other
borders contain several sentences in small African letters. The lower
part is also prolonged and is terminated by eight points cut in a
semicircle, inside which there are discs with illegible inscriptions.
Three violet coloured lions, similar in form to those which appear on
the arms of Leon, may be seen on three of the sides of the square. In
the large circle in the centre of this banner, appears eight times
repeated the word "The Empire," [Illustration: Arabic]. This inscription
is embroidered or woven in Cufic characters, in a similar style to those
at the Alhambra; it is a strange circumstance that the letters appear on
the wrong side, as if this was the back of the stuff; the word which
seems to be required to complete this sentence, "God," is also wanting.
The large inscriptions in blue of the five bands reproduce Suras of the
Koran, and pious sentences in one of the small ones on the upper part.
S^{r.} Fernandez, who has published an article on this banner in Mus.
Esp. [vol. vi., p. 469], thinks he finds a date which corresponds with
the year A.D. 1140. I am not, however, satisfied with his interpretation
of the inscription contained in the large centre circle, or the date he
gives; for comparing the ornamentation of this specimen with other
textiles, and the designs used in Moorish architecture, it appears to me
that it must be considered as belonging to the 14th century. This may be
easily accounted for by some historical mistake in the tradition
respecting it at the convent of Las Huelgas. It is highly probable that
King Alfonso XI. may have given this banner to the convent, and have
been mistaken for King Alfonso VIII.; the conqueror of the battle of Las
Navas.
The specimens of Spanish moresco stuffs in the Kensington Museum, will
be found numbered 51, 121, 124, 125, 152, 160, 180, 241, 244. (V. Dr.
Rock's Catalogue.)
Public-domain text, read in full here on John Shaqi.
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