The Visigothic style continued to be followed in Spain at the court of the Christian kings, until the 11th century, notwithstanding the Moorish invasion, and the poverty of the kingdom. The specimens at the treasury of the cathedral of Oviedo, and others which will be described farther on, will give a good idea of the manufacture of jewels of this period. Among the relics which are kept in the shrine called the _Camara Santa_, at Oviedo, are two most interesting gold processional crosses studded with stones, which are known by the names of _Cruz de los Angeles_, and _Cruz de la Victoria_ or _de Pelayo_. The _Cruz de los Angeles_ is 16½ inches high, by 16 inches wide, it is covered at the back with an ornamentation in fine filigree work, set with different stones. In the front are five medallions, and an inscription in the vacant spaces. Among the gems there is a good cameo, and seven engraved stones in the Gnostic style. (Consult "Monumentos Arquitectonicos de España, Camara Santa"). The inscription on this cross shows us that it was made, A.D. 808. "Susceptum placide maneat hoc in honore Dei Offeret Adefonsus humilis servus Xpi Hoc signo tuetur pius Hoc signo vincitur inimicus Quisquis auferre presumpserit mihi Fulmine divino intereat ipse Nisi libens ubi voluntas dederit mea Hoc opus perfectum est in Era DCCCXLVI." The cross of Victory is supposed to have been the same wooden one borne by Don Pelayo when he began, early in the 8th century, his struggles against the Mahomedan invasion, it was decorated in the next century with gold platings and precious stones. It is 36 inches high by 28½ inches wide; the ornamentation is similar to the former one, and in the vacant spaces at the back appears the following inscription, by which we learn it was made at the Castle of Gauzon, Asturias, A.D. 828. "Susceptum placide maneat hoc in honore Dei, quod offerent Famuli Christi Adefonsus princeps et Scemæna Regina Quisquis auferre hoc donoria nostra presumpserit Fulmine divino intereat ipse Hoc opus perfectum et concessum est Santo Salvatori Oventense sedis Hoc signo tuetur pius, hoc vincitur inimicus Et opera us est in castello Gauzon anno regni nostri. XLII. discurrente Era DCCCLXVI." Another most interesting object at this shrine is Don Fruela's casket, which is ornamented with agates set in gold, and is similar in style. The inscription, which appears outside, gives the date A.D. 910. "Operatum est Era DCCCCXLVIII."