The Infant's Skull; Or, The End of the World. A Tale of the MillenniumSue, Eugène
Philosophy
The Infant's Skull; Or, The End of the World. A Tale of the Millennium
Sue, Eugène
France -- History -- Capetians, 987-1328 -- Fiction
About five years before the famine of 1033, his beloved wife Marceline
died. He still inhabited his hut, now shared with him by his son
Den-Brao and the latter's wife Gervaise, together with their three
children, of whom the eldest, Nominoe, was nine, the second, Julyan,
seven, and the youngest, Jeannette, two years of age. Den-Brao, a serf
like his father, was since his youth employed in a neighboring stone
quarry. A natural taste for masonry developed itself in the lad. During
his hours of leisure he loved to carve in certain not over hard stones
the outlines of houses and cottages, the structure of which attracted
the attention of the master mason of Compiegne. Observing Den-Brao's
aptitude, the artisan taught him to hew stone, and soon confided to him
the plans of buildings and the overseership in the construction of
several fortified donjons that King Henry I ordered to be erected on the
borders of his domains in Compiegne. Den-Brao, being of a mild and
industrious disposition and resigned to servitude, had a passionate love
for his trade. Often Yvon would say to him:
"My child, these redoubtable donjons, whose plans you are sketching and
which you build with so much care, either serve now or will serve some
day to oppress our people. The bones of our oppressed and martyrized
brothers will rot in these subterraneous cells reared above one another
with such an infernal art!"
"Alack! You are right, father," Den-Brao would at such times answer,
"but if not I, some others will build them ... my refusal to obey my
master's orders would have no other consequence than to bring upon my
head a beating, if not mutilation and even death."
Gervaise, Den-Brao's wife, an industrious housekeeper, adored her three
children, all of whom, in turn, clung affectionately to Yvon.
Public-domain text, read in full here on John Shaqi.
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