In so speaking they saw further than the flesh. In their remorse and
disgust it was not mere physical disillusionment that so crushed them.
They saw further. They were overcome by an impression of bleak truth,
of aridity, of growing nothingness, at the thought that they had so
many times grasped, rejected, and vainly grasped again their frail
carnal ideal.
They felt that everything was fleeting, that everything wore out, that
everything that was not dead would die, and that even the illusory ties
holding them together would not endure. Their sadness did not bring
them together. On the contrary, they were separated by all the force
of their two sorrows. To suffer together, alas, what disunion!
And the condemnation of love itself came from her, in a cry of agony:
"Oh, our great, our immense love! I feel that little by little I am
recovering from it!"
. . . . .
She threw back her head, and raised her eyes.
"Oh, the first time!" she said.
She went on, while both of them saw that first time when their hands
had found each other.
"I knew that some day all that emotion would die, and, in spite of our
promises, I wanted time to stand still.
"But time did not stand still, and now we scarcely love each other."
He made a gesture as of denial.
"It is not only you, my dear, who are drifting away," she continued.
"I am, too. At first I thought it was only you. But then I understood
my poor heart and realised that in spite of you, I could do nothing
against time."
She went on slowly, now with her eyes turned away, now looking at him.
"Alas, some day, I may say to you, 'I no longer love you.' Alas, alas,
some day I may say to you, 'I have never loved you!'
"This is the wound--time, which passes and changes us. The separation
of human beings that deceive themselves is nothing in comparison. One
can live even so. But the passage of time! To grow old, to think
differently, to die. I am growing old and I am dying, I. It has taken
me a long time to understand it. I am growing old. I /am/ not old,
but I am growing old. I have a few grey hairs already. The first grey
hair, what a blow!
"Oh, this blotting out of the colour of your hair. It gives you the
feeling of being covered with your shroud, of dry bones, and
tombstones."
She rose and cried out into the void:
"Oh, to escape the network of wrinkles!"
. . . . .
She continued:
Public-domain text, read in full here on John Shaqi.
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