The Infidel; or, the Fall of Mexico. Vol. I.Bird, Robert Montgomery
History
The Infidel; or, the Fall of Mexico. Vol. I.
Bird, Robert Montgomery
Mexico -- History -- Conquest, 1519-1540 -- Fiction
When, therefore, we relate any very curious and marvellous matters,
appertaining to Mexican _literature_, though we speak upon the authority
of historians, we invite the reader to receive our accounts with some
grains of allowance. With the exception of a few arbitrary symbols,
expressive of numerals, and a few other objects of constant recurrence,
the picture-writing of Mexico spoke in ideas, not words; and it may
therefore be assumed, that it could express nothing that did not, or by
a stretch of ingenuity, could not be made to, address and explain itself
to the eye.]
A few ruins--a cluster of dilapidated houses--a galloping Creole on his
high Spanish saddle, with glittering _manga_ and rattling
_anquera_,--and, now and then, an Indian skulking moodily along, in his
squalid _serape_,[2]--are all that remain of Tezcuco.
[Footnote 2: The Manga and Serape are Mexican cloaks worn
scapulary-wise, the one of richly embroidered cloth, the other of
blanket, or some such coarse material. The Anquera is a leather housing,
embossed and gilt, with a jingling fringe of brass or silver ornaments.]
In the spring of 1521, the year that followed the flight of the
Spaniards from Mexico, the city of the Acolhuacanese presented all its
grandeur of aspect, and, to the eye, looked full as royal and
imperishable as in the best days of its freedom. But the molewarp was
digging at its foundations; and the cloud which had ravaged the Mexican
valley, and then passed away into the east, where it lay for a time
still and small, 'like to a man's hand,' had again crept over the
mountain barriers to its gates, and was now brooding among its
sanctuaries. A group of Christian men sat under a cypress-tree, without
the walls, regarding the great pyramid, on whose lofty terrace,
overshadowing the surrounding edifices, floated a crimson banner of
velvet and gold, on which, besides the royal arms of Spain, was
emblazoned, as on the Labarum of the Constantines, a white cross, with
the legend, imitated from that famous standard of fanaticism, _In hoc
signo vincemus_. If other proof had been wanting of the return of the
Spaniards to the scene of their discomfiture, their presence in Tezcuco,
and their unchangeable resolution to complete the work of conquest so
disastrously begun, it might have been traced abundantly in the strange
spectacle, which, equally with the desecrated temple, divided the
attention of the group of Castilians at the cypress-tree. They sat on a
little swell of earth,--a natural mound which jutted into the lake,
whose waters, agitated by a western breeze, dashed in musical breakers
at its base; while the rustling of the leaves above, mingled with these
sounds of waves, a tone that was both melancholy and harmonious. The
beautiful prospect of Tezcuco, rising beyond fertile meadows in the
livery of spring, flanked, on the right hand, by a sheet of dark and
glossy water,--with white towers, turrets, and temple-tops, painted, as
Public-domain text, read in full here on John Shaqi.
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