The Infidel; or, the Fall of Mexico. Vol. II.Bird, Robert Montgomery
History
The Infidel; or, the Fall of Mexico. Vol. II.
Bird, Robert Montgomery
Mexico -- History -- Conquest, 1519-1540 -- Fiction
As soon as objects became distinct, Techeechee, observing that Juan's
garments were yet dripping with wet, took from the prow of the canoe a
little bundle, from which he drew a broad, richly ornamented tilmaltli,
or cloak, a _maxtlatl_, or cloth to wrap round the loins, sandals for
the feet, fillets for the hair, and a fan of feathers to protect the
eyes from sunshine. These he proffered to Juan, giving him to understand
that he should forthwith doff his Christian weeds, and appear in the
guise of a Mexican noble; telling him, at the same time, that they had
been provided by Guatimozin, in anticipation of his deliverance. Yet
neither remonstrance nor entreaty could prevail upon him to do more than
throw off his reeking surcoat, and supply its place by the Indian cloak,
which was of sufficient capacity, when folded about his person, almost
to conceal his under attire, now in a great measure dried by the warmth
of his body. This being accomplished to his satisfaction, Techeechee
resumed his paddle, and fixing his eyes upon the imperial city, began to
mumble, in an under voice, certain snatches of native airs, which, both
in quality and pitch, bore no little resemblance to the suppressed
growlings, or rather the groaning of an imprisoned lion, and which, had
Juan required any such testimony, would have proved how little his
commerce with the Conquerors and his personal affection for himself, had
withdrawn his heart from the people and the faith of Montezuma. As he
advanced still nearer to the city, his air grew more confident, his
tones more resolute and animated; and, by and by, without seeming to
regard the presence of the young Spaniard, he launched boldly into a
sort of national anthem, in which the military pride of the Mexicans was
mingled with the gloom of their ferocious superstitions. The melody was
rude and savage,--or rather it was no melody at all, but a chant or
recitative, which was relieved from monotony only by the variations of
emphasis, which became stronger and stronger, as the distance waxed less
and less to the city. To express the words employed in any of the
metrical modes of civilized song, would be to rob the roundelay of its
identity; for rhythm and melody were equally set at defiance;--at least,
so it would have seemed to an ear accustomed only to the natural music
of iambics and dactyls. We will therefore express them in unambitious
prose, only premising that before the barbarian had proceeded far in the
chant, the song was caught up and continued by the warriors in the fleet
of canoes, now paddling out of the mists behind, and by many infidels
who watched its approach from the shore, and from an island crag,
strongly fortified, that lay a little to the east of the city.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account