The Influence of Old Norse Literature on English LiteratureNordby, Conrad Hjalmar
General
The Influence of Old Norse Literature on English Literature
Nordby, Conrad Hjalmar
Comparative literature -- English and Icelandic; Comparative literature -- Icelandic and English
In this regard his career was, indeed, rich in achievement, but when we
consider what, with his large equipment, he might have done in the world
of scholarship, the promise, so untimely blighted, seems even richer.
From early youth he had been a true lover of books. To him they were not
dead things; they palpitated with the life blood of master spirits. The
enthusiasm for William Morris displayed in the present essay is typical
of his feeling for all that he considered best in literature. Such an
enthusiasm, communicated to those about him, rendered him a vital force
in every company where works of creative genius could be a theme of
conversation.
A love of nature and of art accompanied and reinforced this love of
literature; and all combined to produce the effect of wholesome purity
and elevation which continually emanated from him. His influence, in
fact, was largely of that pervasive sort which depends, not on any
special word uttered, and above all, not on any preachment, but upon the
entire character and life of the man. It was for this reason that his
modesty never concealed his strength. He shrunk above all things from
pushing himself forward and demanding public notice, and yet few ever
met him without feeling the force of character that lay behind his
gentle and almost retiring demeanor. It was easy to recognize that here
was a man, self-centered and whole.
In a discourse pronounced at a memorial meeting, the Rev. John Coleman
Adams justly said: "If I wished to set before my boy a type of what is
best and most lovable in the American youth, I think I could find no
more admirable character than that of Conrad Hjalmar Nordby. A young man
of the people, with all their unexhausted force, vitality and
enthusiasm; a man of simple aims and honest ways; as chivalrous and
high-minded as any knight of old; as pure in life as a woman; at once
gentle and brave, strong and sweet, just and loving; upright, but no
Pharisee; earnest, but never sanctimonious; who took his work as a
pleasure, and his pleasure as an innocent joy; a friend to be coveted; a
disciple such as the Saviour must have loved; a true son of God, who
dwelt in the Father's house. Of such youth our land may well be proud;
and no man need speak despairingly of a nation whose life and
institutions can ripen such a fruit."
L.F.M.
COLLEGE OF THE CITY OF NEW YORK,
May 15, 1901.
INTRODUCTORY.
It should not be hard for the general reader to understand that the
influence which is the theme of this dissertation is real and
explicable. If he will but call the roll of his favorite heroes, he will
find Sigurd there. In his gallery of wondrous women, he certainly
cherishes Brynhild. These poetic creations belong to the
English-speaking race, because they belong to the world. And if one will
but recall the close kinship of the Icelandic and the Anglo-Saxon
languages, he will not find it strange that the spirit of the old Norse
sagas lives again in our English song and story.
Public-domain text, read in full here on John Shaqi.
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