I cannot close without a congratulatory word respecting the standing, present and prospective, of the profession in America to-day. I am proud that we begin to be able to point to so many musicians (even if the number is still relatively few) who, both from their own scientific standpoint, and from that of general culture, are deemed worthy of being placed side by side with the other learned professions. Is not the creation of this college as a branch of a university course, proof of this comparatively new but happily increasing appreciation? Of what importance, then, to keep this present status intact, to secure it, to increase it, by upholding the dignity of our profession! Let such as propose to devote their lives to it, both feel and practise the idea so beautifully expressed by Schiller in his "Ode to the Artists"-- "O, Sons of Art! man's dignity to you is given, Preserve it, then! It falls with you; with you ascends to heaven." * * * * * "While you her thousand paths are tracing, Press onward, keeping truth in sight! Come, all together, stand embracing Before the throne where paths unite!" _Printed by the New Temple Press, Grant Road, Croydon._ [Illustration: THE ANCIENT MODE OF ORGAN BLOWING. FROM PRAETORIUS' THEATRUM INSTRUMENTORUM. 1620.] [Illustration: TERRA-COTTA MODEL OF HYDRAULIC ORGAN. CIR. 150 A.D. CARTHAGE MUSEUM. FROM HERMANN SMITH'S _The Making of Sound in the Organ and in the Orchestra._] [Illustration: REV. F. W. GALPIN'S WORKING REPRODUCTION OF THE ROMAN HYDRAULUS. FROM HERMANN SMITH'S _The Making of Sound in the Organ and in the Orchestra._] CATALOGUE B LIST OF BOOKS ON MUSIC Literature covering every branch of Music, Biographical and Critical Studies of Composers, Histories of Musical Instruments, also valuable Textbooks and Tutors for Teachers and Students of the Piano, Organ, Violin, Cello, Theory, Singing, etc. _All prices are net and postage extra_ WILLIAM REEVES Bookseller Limited 1a Norbury Crescent, London, S.W.16 Phone POLlards 2108 HISTORICAL, DESCRIPTIVE AND ANALYTICAL ACCOUNT OF THE ENTIRE WORKS OF BRAHMS BY EDWIN EVANS (SENIOR) The works are treated in the order of their opus number, and =every= single composition is dealt with =exhaustively=. No other work with such a wealth of detail exists in any language. The whole, being adequately indexed, forms a complete reference book for pianist, student and concert-goer, and may be described as =monumental=. Of the =CHAMBER AND ORCHESTRAL= music, a minute analysis reaching to the rhythmical significance of each bar is given. The analytical accounts of the =PIANO= works are each subdivided under the headings: Key; Time and Extent; Thematic Material; Melody; Harmony; Rhythm; etc. The =CHORAL= works are dealt with in the fullest detail, and original English translations have been made to most of the =SONGS=.