=A SYSTEM OF STUDY OF SCALES AND CHORDS.= Being Chapters on the Elements of Pianoforte Technique. By B. VINE WESTBROOK, F.R.C.O. Numerous Examples. New and Revised edition. 8vo, 3s. _net_. The author outlines a scheme which abolishes the drudgery and inspires the pupil with an enthusiasm for practice and formulates a method or system in which that practice may be carried out. =PIANO CLASSES IN ELEMENTARY SCHOOLS.= By AUDREY KING. With Music Examples. Crown 8vo, 1s. _net_. =HOW TO PLAY 110 FAVOURITE PIANO SOLOS.= Being the 4 Series complete in 1 vol. of "Well-Known Piano Solos: How to Play them with Understanding, Expression and Effect." By CHARLES W. WILKINSON. Crown 8vo, cloth, 12s. 6d. _net_. =WELL-KNOWN PIANO SOLOS.= How to Play them with Understanding, Expression and Effect. By C. W. WILKINSON. Four Series, 2s. each (each series containing about 26 articles), or four in one vol. as above. Contents of the First Series:--SINDING, Rustle of Spring. SCARLATTI, Pastorale le Capriccio. PADEREWSKI, Minuet in G. HANDEL, Harmonious Blacksmith. RUBINSTEIN, Melody in F. SCHARWENKA, Polish Dance. SCHUMANN, Nachtstücke. GODARD, Mazurka. DELIBES, Pizzicati from Sylvia. GRIEG, Wedding Day at Troldhangen. ELGAR, Salut d'Amour. PADEREWSKI, Melodie. RAFF, La Fileuse. TCHAÏKOVSKY, Troika. GODARD, Berger et Bergères. CHAMINADE, Pierrette. MOSZKOWSKI, Etincelles. PADEREWSKI, Minuet in A major. GRIEG, Norwegian Bridal Procession. LISZT, Regata Veneziana. CHAMINADE, Automne. MOSZKOWSKI, Serenata. LACK, Valse Arabesque. SCHUMANN, Arabeske. CHOPIN, Etude in G flat. DURAND, First Valse. Draws one's attention to the beauties in a piece, explains difficulties here and there, draws attention to a pedal effect and any peculiarity of fingering, and generally gives all the information a professor is expected to give to his pupils. =DELIVERY IN THE ART OF PIANOFORTE PLAYING=, On Rhythm, Measure, Phrasing, Tempo. By C. A. EHRENFECHTER. Second Edition. Crown 8vo, cloth, 6s. _net_. "The section with reference to accent is particularly good. There are numerous illustrations from the works of the masters."--W. H. WEBBE in _The Pianist's A. B. C._ =PIANO TOUCH, PHRASING AND INTERPRETATION.= By J. Alfred Johnstone. Crown 8vo, cloth, 7s. 6d. _net_. =PRACTICE REGISTER= for Pupil's Daily Practice. A Specimen, 1d. (or 2s. 6d. per 100). =REEVES' VAMPING TUTOR.= Art of Extemporaneous Accompaniment, or Playing by Ear on the Pianoforte, Rapidly Enabling anyone having an Ear for Music (with or without any Knowledge of Musical Notation) to Accompany with Equal Facility in any Key. Practical Examples. By FRANCIS TAYLOR. New Edition, to which is added Instructions for Accompaniment with Equal Facility in every Key illustrated by Examples. Folio, 2s. _net_.