The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends" — John Shaqi
The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"Harper, Charles G. (Charles George)
General
The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"
Harper, Charles G. (Charles George)
Ingoldsby, Thomas, 1788-1845. Ingoldsby legends; Kent (England) -- Description and travel
Behind that farcical "Mr. Simpkinson, from Bath," lurks a real person,
and one not unknown to those who have read Britton and Brayley books
on Cathedral antiquities. John Britton, the original of Simpkinson,
was, equally with his contemporary Barham, an antiquary and genealogist
of accomplishment, and a herald of repute. Barham would not have
allowed as much, for there was, it would seem, a certain amount of
ill-feeling between the two, which resulted in the satirical passages
relating to "Mr. Simpkinson" to be met with in the pages of the
_Ingoldsby Legends_. They tell us that he was, among other things,
"an influential member of the Antiquarian Society, to whose 'Beauties
of Bagnigge Wells' he had been a liberal subscriber"; and that "his
inaugural essay on the President's cocked-hat was considered a miracle
of erudition; and his account of the earliest application of gilding
to gingerbread a masterpiece of antiquarian research." In all this one
finds something of that rapier-thrust of satire, that mordant wit which
comes of personal rivalry; and the heartfelt scorn of a man who loved
architecture, and was, indeed, a member of the first Archæological
Institute, but who whole-heartedly resented the introduction of picnic
parties into archæological excursions, and revolted at popularising
architecture and antiquarian research by brake parties, in which
the popping of champagne corks punctuated the remarks of speakers
holding forth on the architectural features of buildings in a style
sufficiently picturesque and simple to hold the attention of the
ladies. Those who have found how unconquerable is the indifference of
the public to these things will appreciate to the fullest extent the
feelings of Tom Ingoldsby, while yet reserving some meed of admiration
for John Britton's labours, which did much to advance the slow-growing
knowledge of Gothic architecture in the first half of the century.
His work may halt somewhat, his architectural knowledge be something
piecemeal and uninformed with inner light; but by his labours many
others were led to pursue the study of ecclesiastical art.
But the humour with which Barham surrounded "Mr. Simpkinson's" doings
took no count of his accomplishments, as may be seen in the excursion
to "Bolsover Priory", narrated in "The Spectre of Tappington".
"Bolsover Priory", said Mr. Simpkinson, "was founded in the reign of
Henry VI. about the beginning of the eleventh century. Hugh de Bolsover
had accompanied that monarch to the Holy Land, in the expedition
undertaken by way of penance for the murder of his young nephews in
the Tower. Upon the dissolution of the monasteries, the veteran was
enfeoffed in the lands and manor, to which he gave his own name of
Bolsover, or Bee-Owls-Over (by corruption Bolsover)--a Bee in chief
over Three Owls, all proper, being the armorial ensigns borne by this
distinguished crusader at the siege of Acre."
Public-domain text, read in full here on John Shaqi.
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