The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"Harper, Charles G. (Charles George)
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The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"
Harper, Charles G. (Charles George)
Ingoldsby, Thomas, 1788-1845. Ingoldsby legends; Kent (England) -- Description and travel
Thus wrote Ingoldsby of his native city of Canterbury, in "The Ghost,"
and "sweet and pretty" its air and situation remain, sixty years
since those lines were penned. For the changes that have altered so
many other cities and towns have brought little disturbance here. No
manufactures have come to abolish the prettiness of the situation; the
air--the atmospheric air--is sweet and fragrant as of yore, and that
other air--the demeanour and deportment--of Canterbury is still, as
ever, gravely cheerful, as surely befits the capital city of a Primate
whose Church is still a going concern.
Ingoldsby was exactly right in his epithetical summing-up, for
prettiness and not grandeur is the characteristic of the gentle valley
of the Stour, wherein Canterbury is set. Approach it from whatever
quarter you will, and you will find prettiness only in the situation.
Even when viewed from the commanding heights of Harbledown and St.
Thomas's Hill, the only grandeur is that of the Cathedral, and that
is extrinsic, a something imported into the picture. Nay, even the
uprising bulk of that cathedral church gains in effect from being thus
set down in midst of a valley that is almost with equal justness called
a plain, and whose features may, without offence, or the suspicion of
any thought derogatory from their beauty, be termed so featureless.
Unquestionably the best direction whence to enter this ancient capital
of the Kentish folk--this Kaintware-bury of the Saxons, the Durovernum
of the Romans--is from Harbledown, whence the pilgrims from London,
or from the north and west of England, entered. Only thus does the
stranger receive a really accurate impression. With emotions doubtless
less violent than those of the mediæval pilgrims to the shrine of the
blessed martyr, St. Thomas, but still strongly aroused, he sees the
west front of the Cathedral, its two western "towers," and the great
central "Bell-Harry" tower displayed boldly before him, in the level,
and may even identify the more prominent of the public buildings.
Descending from this hill, he passes through the ancient suburb of
Saint Dunstan, and enters the city beneath the frowning portals of the
West Gate.
If, on the other hand, the modern pilgrim arrives per Chatham and
Dover Railway, he will be dumped down in quite a different direction,
on the south side of the city, near Wincheap Street, in which
thoroughfare he will be able, without any delay, to discover his
first Ingoldsby landmark in Canterbury, in the shape of the "Harris's
Almshouses," founded in 1729 by that ancestral Harris whose daughter
his great-grandfather had married. They are five quite humble little
red-brick houses, with a garden at the back, endowed for the support of
two poor parishioners of St. Mary Magdalene, two of Thanington, and one
of St. Mildred's. The value is the modest one of about £9 a year. An
unassuming tablet on the central house of the row tells this story:
Public-domain text, read in full here on John Shaqi.
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