the "Dead Drummer" is located; at Wayland Wood, near Wymondham, in Norfolk, where the legend of the "Babes in the Wood" belongs; and at Netley Abbey, the scene of a fine poem. London, too, has its Ingoldsby associations, duly set forth in these pages. [Illustration: Sketch Map: The Ingoldsby Country] CHAPTER II BARHAM: THE AUTHOR OF THE _INGOLDSBY LEGENDS_ There are _coteries_, circles inner and outer, in the world of letters, and there have always been. There are some in this time of ours whose members think they are of the giants whose memory the world will not willingly let die. There were other _coterie_ when the nineteenth century was but newly come into its second quarter, when the period that is now known as Early Victorian was in the making, and when the Queen was young. The members of those literary brotherhoods are gone, each one to his place, and the memories of the most of them, of the books they wrote, the jokes they cracked, of their friendships and quarrels, are dim and dusty to-day. The taste in humour and pathos is not the taste of this time, which laughs at the pathos, and finds the humour, when not dull, merely spiteful and vindictive. When you rise from a perusal of Douglas Jerrold's wounding wit, you think him ungenerous and a cad, De Quincey's frolics merely elephantine, Hood's facilities dull, and Leigh Hunt's performances but journalism. All this is but the foil to show the brilliant humour, the fun, and the truly pathetic note of Richard Harris Barham's writings to better effect. Time has breathed upon the glass through which we see the lives and performances of Barham's contemporaries, and has obscured our view of them; but the author of the _Ingoldsby Legends_ remains, almost alone among that Early Victorian band, as acceptable to-day (nay, perhaps even more acceptable) than he was fifty years ago. The _Ingoldsby Legend_ will never be allowed to die. Indeed, we live in times when their admirable sanity might well be invoked as a counterblast to modern neurotic conditions, and a healthy revulsion from superstitious revivals. Written at that now historic time when the Ritualistic innovations and tendency towards Roman Catholicism of the new school of theology at Oxford were agitating English thought, they express the common-sense scorn of the healthy mind against the mystification and deceit of the religion that the Reformation pitched, neck and crop, out of England, close upon three hundred and seventy years ago, and for which the large-minded tolerance of to-day is not enough. Domination is its aim, but no mind that can enjoy the mirth and marvels of the Legends has any room for such ghostly pretensions, and their continued popularity is thus, by parity of reasoning, something of an assurance. The _Ingoldsby Legends_ are included in the _Index Expurgatorium_ of Rome.