The Ingoldsby Legends; or, Mirth and MarvelsIngoldsby, Thomas
General
The Ingoldsby Legends; or, Mirth and Marvels
Ingoldsby, Thomas
English fiction -- 19th century; English poetry -- 19th century; English wit and humor; Humorous poetry, English
The _Ingoldsby Legends_ are not only remarkable for their humour; they
are equally to be praised for their wonderful versification. That he
was a perfect master of the language who could thus use every variety
of stanza, and find rhymes for the most extraordinary, even technical
words, no one can doubt; there are no harsh lines or imperfect rhymes
in the Legends, and the wit and mirth are charmingly blended at times
with touching pathos. The poet's antiquarian knowledge gives much
effect, also, to his tales, and there is never anything in his most
comic relations that would be unworthy the pen of a gentleman and a
cultured scholar. England has cause to be proud of such a writer as
"Thomas Ingoldsby," otherwise Richard Harris Barham.
PREFACE TO THE SECOND EDITION.
TO RICHARD BENTLEY, ESQ.
MY DEAR SIR,
I should have replied sooner to your letter, but that the last three
days in January are, as you are aware, always dedicated, at the Hall,
to an especial _battue_, and the old house is full of shooting-jackets,
shot-belts, and "double Joes." Even the women wear percussion caps,
and your favourite (?) Rover, who, you may remember, examined the
calves of your legs with such suspicious curiosity at Christmas, is
as pheasant-mad as if he were a biped, instead of being a genuine
four-legged scion of the Blenheim breed. I have managed, however, to
avail myself of a lucid interval in the general hallucination, (how
the rain _did_ come down on Monday!) and as you tell me the excellent
friend whom you are in the habit of styling "a Generous and Enlightened
Public" has emptied your shelves of the first edition, and "asks for
more," why, I agree with you, it _would_ be a want of _respect_ to that
very _respectable_ personification, when furnishing him with a farther
supply, not to endeavour at least to amend my faults, which are few,
and your own, which are more numerous. I have, therefore, gone to work
_con amore_, supplying occasionally on my own part a deficient note, or
elucidatory stanza, and on yours knocking out, without remorse, your
superfluous i's, and now and then eviscerating your _colon_.
My duty to our illustrious friend thus performed, I have a crow
to pluck with him,--Why will he persist--as you tell me he does
persist--in calling me by all sorts of names but those to which I
am entitled by birth and baptism--my "Sponsorial and Patronymic
appellations," as Dr. Pangloss has it?--Mrs. Malaprop complains, and
with justice, of an "assault upon her parts of speech:" but to attack
one's very existence--to deny that one _is_ a person _in esse_, and
scarcely to admit that one _may_ be a person _in posse_, is tenfold
cruelty;--"it is pressing to death, whipping, and hanging!"--let me
entreat all such likewise to remember, that as Shakspeare beautifully
expresses himself elsewhere--I give his words as quoted by a very
worthy Baronet in a neighbouring county, when protesting against a
defamatory placard at a general election--
Public-domain text, read in full here on John Shaqi.
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