The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
General
The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
On leaving the small passage conducting to his room, he entered the long
corridor which he had traversed with the landlady; on turning, however,
as he thought, to the staircase by which he had ascended, he suddenly
found himself in a small but lofty chapel. It was too dark to see
distinctly the decorations of the altar, but it seemed as if gilding had
not been spared; two small adjoining apartments he next examined, and
then completely forgetting whether he had entered from the right or left
hand, he walked inquisitively forward until a broad gloomy passage
brought him to a corridor, which he instinctively felt to be the place
where on moonlight nights one might perchance be disposed to romance.
The doors opposite to him, placed close to each other, had probably
belonged to cells; over each was a black-looking picture, portraits of
the abbots, the faces and hands looking most ghastly in their
indistinctness. A broad staircase was near, but fearing to lose his way
completely, he contented himself for the present with reconnoitring the
garden and a lake from a sort of lobby window. Woods and mountains were
in the distance, but every moment becoming less distinct; the oppressive
calm had been succeeded by a wild wind which bent the trees in all
directions, and ruffled the surface of the water. Interested in the
approaching thunder-storm, he stood at the window until his revery was
interrupted by the sound of footsteps, voices, and the clapping of
doors. He turned quickly from the window, walked to the end of the
corridor, turned to the left, and entered a very narrow passage looking
into a small quadrangular court, which seemed once to have been a
garden; it still possessed a few trees, a fountain, and a luxuriant
growth of rank grass. He mounted a flight of stone steps, which brought
him into the organ loft, whence he had a full view of the monastery
church. The lamp which hung suspended before the altar threw fitful
gleams of light on the objects in its immediate vicinity—all the rest
was in shadow; behind the organ was a sort of vaulted, unfinished room,
containing nothing but a most clumsy apparatus for filling the bellows.
Just as he was about to leave this uninteresting place, two persons
entered the adjoining loft; recognising the voice of his travelling
companion, and perceiving she was accompanied by her sister, he
commenced a precipitate retreat by another entrance than that next the
organ; in his haste, however, he entangled his foot in the rope
communicating with the belfry, so that his slightest movement might
alarm the whole household. While endeavouring, as well as the darkness
would permit, to extricate himself, he was compelled to become auditor
to a conversation certainly not intended for his ears.
“And you don’t think him at all good-looking?” asked Crescenz.
Public-domain text, read in full here on John Shaqi.
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