The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
“Hear me at least,” he said eagerly. “I could not endure the thought of
your being one jot less perfect than I had imagined you—that made me
suspicious; the wish for proof made me rough; and though I cannot
exactly justify my subsequent conduct, I plead in extenuation your own
words, ‘the temptation was great.’”
Hildegarde’s dimples showed that a smile was with difficulty repressed,
and Hamilton, taking courage, whispered hurriedly, “But one word
more—hear my last and best excuse; it is, that I love you, deeply,
passionately; but I need not tell you this, for you must have known it
long, long ago. Hildegarde, say only that our perpetual quarrels have
not made you absolutely hate me!”
Hildegarde, without uttering a word more, impetuously drew back her
hand, sprang into her room, and locked the door. He waited for a minute
or two, and then knocked, but received no answer. “Hildegarde,” he
cried, reproachfully, “is this right—is this kind? Even if you dislike
me, I have a right to expect an answer.”
“Go,” she said, in a very low voice; “go away. You ought not to be here
when I am alone.”
“Why did you not think of that before?”
“I don’t know. I had not time. I——”
“Nonsense. Open the door, and let me speak to you for a moment.”
No answer, but he thought he heard her walking up and down the room.
“Only one moment,” he repeated.
“I cannot, indeed I cannot. Pray go away.”
He retired slowly to his room; even before he reached it he had become
conscious of the absurdity of his conduct, and the prudence of hers.
That she no longer disliked him, he was pretty certain; that she had so
discreetly avoided a confession of other feelings was better for both,
as it enabled them to continue their intercourse on the same terms,
while the acknowledgment of a participation in his affection would have
subjected her to great annoyances, and placed him in a most embarrassing
situation. He was angry with himself—recollected, with shame, that he
had repeated the error which he had so much cause to regret on a former
occasion, and mentally repenting his own loquaciousness and rejoicing at
Hildegarde’s taciturnity, he resolved never to refer to the subject
again. A ring of the bell at the entrance-door induced him to stop and
await her appearance. She did not answer the summons, and it was
repeated, accompanied by a few familiar taps on the door. Still she did
not move. Again the bell was rung; the knocks became louder, as if
administered by some hard instrument, and finally her name was loudly
and distinctly pronounced.
“I am coming, papa,” she cried at last, running forward, and opening the
door precipitately.
Count Raimund sprang into the passage, closed the door with his
shoulder, leaned upon it, and burst into a fit of laughter at the dismay
legible on the features of his cousin.
“Oscar,” she began, seriously, “you must come some other day, mamma is
not at home, and I have been left to——”
Public-domain text, read in full here on John Shaqi.
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