The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
He heard at length the key placed, with a trembling hand, in the lock—it
turned and Hildegarde stood before him. The hood of her capuchin was
thrown back, and her features, deadly pale and rigid in an expression of
horror, met his view. She pointed silently towards a figure lying on the
ground, which, when Hamilton approached, he found to be the corpse of
her cousin! He must have shot himself through the mouth, for the upper
part of his head, hair, and brain were scattered in frightful bloody
masses around. A more hideous object could hardly be imagined; he turned
away, and seizing Hildegarde’s hand, drew her out of the room, while he
whispered, “What a dreadful scene for you to have witnessed!”
Scarcely were they in the street when, putting her hand to her head, she
exclaimed, “My gloves—mask—handkerchief, are in his room—is it of any
consequence?”
“Of the greatest,” cried Hamilton. “If your name be on the handkerchief,
it may lead to most unpleasant inquiries. Wait here. I must return to
the room.”
As he entered the room for the second time he observed an appearance of
confusion in it which, in his haste and anxiety about Hildegarde, had
before escaped his observation. Her gloves and handkerchief he found
near the stove, and not far from them, to his great surprise, a dagger!
On the table, beside the small shaded lamp, stood a wine bottle and
tumblers, writing materials, and several letters were heaped together;
and, on glancing towards them, he found one addressed to Hildegarde,
which he immediately put in his pocket, and then prepared to leave; but,
to his dismay, he heard the sound of approaching voices, and at once his
unpleasant, perhaps dangerous, situation occurred to him. His known
enmity to Raimund made it absolutely necessary for him to endeavour to
leave the house without being recognised, and, having tied on
Hildegarde’s mask, he took refuge in a small wood-room, ready to escape
the first opportunity that should offer. The persons whose voices he had
heard were servants; one of them, a French girl, was speaking while he
gained his hiding-place, and he heard her say, “The old lady desired me
to call her son, I would not go into his room for all the world at this
time of night.”
“What does she want with him?”
“Oh, she says she heard the report of a gun or pistol a short time ago,
and is alarmed. She asked me if I had not heard it too?”
“And did you hear it?”
“How could I when I was not in the house? The best thing I can do is to
say that Count Oscar is not yet returned home. I am afraid she won’t
believe me, as he never remains late at those Hoffmanns’.”
“But you may tell her that I saw him going to the masquerade at nine
o’clock in a black domino. We can knock at the door, and if we get no
answer, he is not there.”
“And if he should answer?”
“Why, then, we can speak to him together!”
Public-domain text, read in full here on John Shaqi.
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