The Initials: A Story of Modern LifeTautphoeus, Jemima Montgomery, Baroness
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The Initials: A Story of Modern Life
Tautphoeus, Jemima Montgomery, Baroness
Bavaria (Germany) -- Fiction; British -- Germany -- Fiction; Love stories
While they knocked at the door, Hamilton glided out; but not, as he had
hoped, unseen, for they turned and ran after him into the street,
calling out, “Count Oscar! Count Oscar! Madame la Comptesse wishes to
speak to you.”
Hamilton shook his hand impatiently towards them, which made them
desist, and then breathlessly joined Hildegarde, who was standing
motionless on the spot where he had left her.
“I ought not to have allowed you to return,” she said, clasping her
hands convulsively round his arm, “it was thoughtless—selfish of me. Had
you been seen!”
“I have been seen, but not recognised,” said Hamilton; “I put on your
mask, and some servants mistook me for Count Raimund.”
“Can that lead to a discovery?” asked Hildegarde, stopping in the middle
of the cold, cheerless street.
“On the contrary, I rather think it will prevent any discovery being
made until to-morrow morning.”
“His wedding-day!” said Hildegarde, with a stifled groan. “Oh, what will
Marie de Hoffmann think of him?”
“She will perhaps guess the truth,” said Hamilton. “I believe this
marriage was the immediate cause of the rash act.”
“Perhaps I am also to blame,” said Hildegarde, in a scarcely audible
voice.
“It may be; but most innocently, I am sure. It was not your fault that
your cousin loved you so madly.”
“I—I—did not exactly mean that,” said Hildegarde, with a shudder.
“Then, what did you mean? Tell me all that occurred. That is,” added
Hamilton, for the first time since he had joined her recurring to his
former fears, “that is, if you can.”
“I can, and will, though the recollection is most painful,” said
Hildegarde, in an agitated manner; and, after a moment’s pause, she
began: “Having been separated from you all, I naturally endeavoured to
reach the front door of the theatre, where we had agreed to assemble as
soon as possible; always, to my great annoyance, followed by the black
domino, who, in the end, proved to be Oscar. Had I known it sooner, it
would have saved me a world of horrors. I was excessively alarmed, as
you may imagine, and, forgetting my character as mask, inquired, in my
natural voice, of everyone I met if they had seen four black dominoes
together? Everyone had seen dominoes such as I had described; and after
hearing that some had left in carriages and some on foot, I at length
determined to walk home alone. Taking advantage of the confusion caused
by several parties endeavouring to drive off together, and hoping by
that means to escape from the domino who had become an object of terror
to me—like a thing in a dream—I ran at full speed out of the theatre. In
order to reach the quieter streets, I unfortunately turned towards the
advancing line of carriages; the crowd was enormous, and I was buffeted
about in all directions, until at length the pole of a carriage threw me
down and completely stunned me.”
Public-domain text, read in full here on John Shaqi.
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