The Ink-Stain (Tache d'encre) — Volume 1Bazin, René
General
The Ink-Stain (Tache d'encre) — Volume 1
Bazin, René
Paris (France) -- Fiction
I am going to dine on the left bank, at Carre's, where one sees many odd
customers. Farewell, river! Good night, old Charnot! Blessings on you,
Mademoiselle Jeanne!
CHAPTER IV
THE STORY OF SYLVESTRE
8 P.M.
I am back in my study. It is very cold; Madame Menin, my housekeeper,
has let the fire out. Hallo! she has left her duster, too, lying on the
manuscript of my essay.
Is it an omen, a presage of that dust which awaits my still unfinished
work? Who can fathom Dame Fortune's ironic humor?
Eight o'clock.... Counsellor Mouillard has finished his pleadings and
must be sitting down to a game of whist with Counsellors Horlet and
Hublette, of the Court of Bourges. They wait for me to make up the four.
Perish the awful prospect!
And M. Charnot? He, I suppose, is still spinning the paper spiral.
How easily serious people are amused! Perhaps I am a serious person.
The least thing amuses me. By the way, is Mademoiselle Jeanne fair or
dark? Let me try to recollect. Why, fair, of course. I remember the
glint of gold in the little curls about her temples, as she stood by the
lamp. A pleasant face, too; not exactly classic, but rosy and frank; and
then she has that animation which so many pretty women lack.
Madame Menin has forgotten something else. She has forgotten to shut my
window. She has designs upon my life!
I have just shut the window. The night is calm, its stars twinkling
through a haze. The year ends mournfully.
I remember at school once waking suddenly on such a night as this, to
find the moonlight streaming into my eyes. At such a moment it is always
a little hard to collect one's scattered senses, and take in the midnight
world around, so unhomely, so absolutely still. First I cast my eyes
along the two rows of beds that stretched away down the dormitory--two
parallel lines in long perspective; my comrades huddled under their
blankets in shapeless masses, gray or white according as they lay near or
far from the windows; the smoky glimmer of the oil lamp half-way down the
room; and at the end, in the deeper shadows, the enclosure of yellow
curtains surrounding the usher's bed.
Public-domain text, read in full here on John Shaqi.
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