The Ink-Stain (Tache d'encre) — Volume 3Bazin, René
General
The Ink-Stain (Tache d'encre) — Volume 3
Bazin, René
Paris (France) -- Fiction
"A good day, all the same," he said. "It's a good place, and the fish
were biting this morning. We'll come here again some day, Jupille; with
an east wind you ought to catch any quantity of gudgeons." He kept pace
beside me on our way home, but wearied, no doubt, with long sitting, with
the heat, and the glare from the water, fell into a reverie, from which
the incidents of the walk were unable to rouse him.
Jupille trotted before us, carrying his rod in one hand, a luncheon-
basket and a fish-bag in the other. He turned round and gave us a look
at each cross-road, smiled beneath his heavy moustache, and went on
faster than before. I felt sure that something out of the way was about
to happen, and that the silent quill-driver was tasting a quiet joke.
I had not guessed the whole truth.
At a turn of the road M. Flamaran suddenly pulled up, looked all around
him, and drew a deep breath.
"Hallo, Jupille! My good sir, where are you taking us? If I can believe
my eyes, this is the Chestnut Knoll, down yonder is Plessis Piquet, and
we are two miles from the station and the seven o'clock train!"
There was no denying it. A donkey emerged from the wood, hung with
tassels and bells, carrying in its panniers two little girls, whose
parents toiled behind, goad in hand. The woods had become shrubberies,
through which peeped the thatched roofs of rustic summerhouses, mazes,
artificial waterfalls, grottoes, and ruins; all the dread handiwork of
the rustic decorator burst, superabundant, upon our sight, with shy odors
of beer and cooking. Broken bottles strewed the paths; the bushes all
looked weary, harassed, and overworked; a confused murmur of voices and
crackers floated toward us upon the breeze. I knew full well from these
signs that we were nearing "ROBINSON CRUSOE," the land of rustic inns.
And, sure enough, here they all were: "THE OLD ROBINSON," "THE NEW
ROBINSON," "THE REAL ORIGINAL ROBINSON," "THE ONLY GENUINE ROBINSON,"
"ROBINSON's CHESTNUT GROVE," "ROBINSON'S PARADISE," each unique and each
authentic. All alike have thatched porches, sanded paths, transparencies
lighted with petroleum lamps, tinsel stars, summerhouses, arrangements
for open-air illumination and highly colored advertisements, in which are
set forth all the component elements of a "ROBINSON," such as shooting-
galleries, bowling-alleys, swings, private arbors, Munich beer, and
dinner in a tree.
"Jupille!" exclaimed M. Flamaran, "you have shipwrecked us! This is
Crusoe's land; and what the dickens do you mean by it?"
The old clerk, utterly discomfited, and wearing that hangdog look which
he always assumed at the slightest rebuke from Counsellor Boule, pulled a
face as long as his arm, went up to M. Flamaran and whispered a word in
his ear.
"Upon my word! Really, Jupille, what are you thinking of? And I a
professor, too! Thirty years ago it would have been excusable, but to-
day! Besides, Sidonie expects me home to dinner--"
Public-domain text, read in full here on John Shaqi.
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