The Inquisition revealed : $b in its origin, policy, cruelties, and history, with memoirs of its victims in France, Spain, Portugal, Italy, England, India, and other countries — John Shaqi
The Inquisition revealed : $b in its origin, policy, cruelties, and history, with memoirs of its victims in France, Spain, Portugal, Italy, England, India, and other countriesTimpson, Thomas
History
The Inquisition revealed : $b in its origin, policy, cruelties, and history, with memoirs of its victims in France, Spain, Portugal, Italy, England, India, and other countries
Timpson, Thomas
Inquisition
And the woman whom thou sawest is that great city, which reigneth over
the kings of the earth.”--(Rev. xvii. 1--18.)
All these several predictions have been fulfilled with the most striking
completeness; and we may have to refer to them in the course of this
work; but the descriptions in those from the Revelation require our very
special notice, as they lead us more particularly to the Romish
hierarchy, and to the terrible court of inquisition. The Rev. Mr.
Elliott, in his “Commentary” on this chapter, says:--
“This vision represented pictorially a gaudily dressed drunken harlot,
seated on a beast of monstrous form, with _seven_ heads, and on the
seventh _ten horns_. The beast, in respect of its body, depicted the
papal empire of the ten western European kingdoms; and in respect of the
seventh, or rather, eighth head, the succession of Roman popes,
constituting, from after the sixth century, that empire’s spiritual
rulers. So the _woman_ represented _Rome_ in its character of the papal
see, and mother-church of Western Christendom; including, doubtless, as
part and parcel of herself, the ecclesiastical state, or Peter’s
patrimony, in Italy, and vast dominions, convents, churches, and other
property appertaining to the papal church elsewhere, both in Europe and
over the world.
“1. As the beast’s body both upheld and was subject to the woman, the
rider, so the empire, as a whole, with the power of its secular kingdoms
and many peoples, upheld, and was also at the same time ruled by papal
Rome, the mother-church of Christendom.
“2. As the woman was here depicted before St. John under a double
character, viz., as a harlot to the ten kings, and a vintner or
tavern-hostess vending wines to the common people, just according to the
custom of earlier times, in which the harlot and the hostess of a tavern
were characters frequently united; so the church of Rome answered to the
symbol in either point of view; interchanging mutual favours, such as
might suit their respective characters, with the kings of
Anti-Christendom; and to the common people dealing out for sale the wine
of the poison of her fornication, her indulgences, relics,
transubstantiation-cup, as if the cup of salvation, &c. (see the Pope’s
own medal, holding out the cup of her apostacy, struck at Rome on
occasion of the Jubilee in 1825), therewith drugging and making them
besotted and drunk.
Public-domain text, read in full here on John Shaqi.
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