"Who would not respect the misfortune of such blameless and over-eager
workers? I lent them not only a roof, and the warmth of an apartment
closed to the wind and open to the sun, but immediately improvised for
them a friendly repast. Where? At the bottom of a sugar-basin.
"The chilly creatures, having revived at a genial beam their lost
warmth, and restored to a good condition all the little electric world
of hairs with which they bristle, began the exploration of their
temporary prison, and were agreeably surprised to find the crystal a
dining-hall. With a good appetite, seating themselves at the table,
they attacked a fragment of sugar, and sucked up with their proboscis
all the sweetness they could find. When they had finished their
repast, and were completely restored, were fluttering to and fro,
demanding the way out, I set them free, without causing them to lose
one moment of a day already far advanced. With a rapid flight, charmed
by the noonday sun, they returned to their occupations, distinctly
humming:--'Farewell, madam, and many thanks!'"
[Illustration]
[Illustration: VIII.--THE BEES AS ARCHITECTS.]
[Illustration]
CHAPTER VIII.
THE BEES AS ARCHITECTS: THE CITY.
If the wasp's nest resemble Sparta, the bee-hive is the veritable
Athens of the Insect World. There, all is art. The people--the
artist-élite of the people--incessantly create two things; on the one
hand, the City, the country,--on the other, the Universal Mother, whose
task it is not only to perpetuate the race, but to become its idol, its
_fetish_, the living god of the community.
The bees share with the wasps, the ants, and all the sociable insects,
the disinterested life of aunts and sisters,--laborious virgins, who
devote themselves entirely to an adoptive maternity.
But from these analogous peoples the bee differs in the necessity it is
under of creating a national idol, the love of which impels it to work.
All this has been long misunderstood. It was at first supposed that
this State was a monarchy, _that it possessed a king_. Not at all; the
king is a female. Thereupon one is driven to say, _This female is
a queen_. Another error. Not only does she not govern, or reign, or
control, but in certain conjunctions she is governed, and sometimes
even placed in private confinement. She is at once something more and
something less than a queen. She is an object of legal and public
adoration; I should say legal and constitutional, for this adoration is
not so blind but that the idol, in some cases, as we shall see, may be
treated very severely.
Public-domain text, read in full here on John Shaqi.
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