I have no need to say that this preoccupation, this emotion--far more
dramatic than one would have supposed--interfered with our journey.
The sublime, enchanting, and solemn scenes of Switzerland lost, no
doubt, their due power over us. But life--suffering life (and we were
compelled to make it suffer)--diverted our thoughts. The hymn or
eternal epopea of these infinitely great could scarcely vie with the
drama of our infinitely little organisms. A fly hid from us the Alps;
the agony of a beetle, which was ten days dying, veiled Mont Blanc from
our gaze; in the anatomy of an ant we forgot the Jungfrau.
It matters not; for who shall rightly determine what is really great
or little? Everything is great, everything important, everything equal
in the bosom of nature and the impartiality of universal love. And
where is it more perceptible than in the infinite travail of the little
organic world on which our eyes were fixed? To lift them towards the
mountains, or lower them towards the insects, was one and the same
thing.
EXTRACT FROM MADAME MICHELET'S JOURNAL.
"On the 20th of July, a very hot day, but freshened nevertheless by the
morning breeze which disported on the lake between Chillon and Clarens,
I went out for a walk alone, my husband remaining indoors to write.
The sun shot athwart our valleys of the Pays de Vaud, and poured his
full splendour on the opposite mountains of Savoy. The lake, already
illumined, reflected the sharp ridges of the rocks, whose base, clothed
in pastures, lends life and freshness to its borders.
[Illustration]
"By-and-by the sun turned, and the scene changed. A warm ray of light
penetrated beyond Chillon, the long defile of the Valais, illuminated
the pointed Dent du Midi, and coloured in vapour the summit of the
remote St. Bernard. But to this scene of glory I preferred the
morning hour, when our Montreux reposed in shadow. It was the hour
of divine service at its little church, whose terrace, half-way down
the slope, propped up by sharp acclivities, wooded, and therefore
obscure, pours out the crystal waters on the thirsty vineyards lying
below. Beneath the terrace a beautiful mossy grot, glittering with
stalactites, preserves a delightful feeling of freshness. The fane
above, surrounded by hospitable wooden seats; a small library (a second
temple), whence the vine-dressers borrow books; and, finally, a pretty
fountain, combine in a graceful little picture, austerely charming. At
morning especially, in the half-misty veil which foretokens a day of
heat, this beautiful spot has all the effect of a religious thought,
concentrating in itself, and yet extended over that immense panorama
which the mind embraces, admires, and blesses.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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