That in such a cradle the child should live commodiously,--that from
its own body it should draw out a silky covering to line its plastic
prison,--that finally, when sufficiently strong, it should issue forth
under the influence of the heat,--this is self-explanatory, and we
admire without being astonished. But what really excites our wonder
is, that the mother,--a butterfly, or perhaps a beetle,--after the
numerous changes through which she has passed, after her numerous
sloughings, transitory slumbers, and metamorphoses, should remember,
for her offspring's behoof, the place or plant where formerly she
herself was nourished, and grew, and took her point of departure! It
is a marvel which confounds the mind. Those creatures apparently the
most heedless--the fly, or light-headed butterfly--at the moment when
approaching death brightens them with the radiance of love, collect, as
it were, their thoughts, and seem to revive their recollections. Then,
without lapse or error, they flee away; and lo! the plant which was
their own early residence, their birthplace, and their cradle, shall
again become their home, and protect their offspring!
All at once they show themselves prudent, foreseeing, and skilful.
To obtain an entrance to this asylum, they practise unknown arts and
display incredible address. How is this? What happens? Sometimes their
weapons of war, diverted to other uses, become instruments of love;
sometimes new and hitherto concealed apparatus,--frequently of an
extremely complex character,--make their appearance; and yet all for
this solitary act, for this single day.
A curious book has been written on the mechanism and infinitely varied
instrumentation with which insects are provided for the discharge of
the maternal duty. Their implements are often charming from their
precision, delicacy, and subtlety. It will suffice to particularize
that of the rose-bush aphis,--so well described by Réaumur, as a saw
whose two blades act in an inverse direction, and whose teeth are each
a set of teeth.
O unheard-of power of Love! Whether this divine workman prepares for
them their tiny tools, or whether he inspires them to fashion their own
by the effort and vehemency of the burning maternal desire, it matters
not: you see them duly fabricated, and acting when wanted in a wholly
unexpected manner.
It is a simple task for the tribes of sociable insects which labour
with the assistance and protection of a numerous republic; but it is
infinitely arduous and painful for the solitary mothers, who, without
auxiliary, spouse, or friend, undertake enormous enterprises, and
frequently raise constructions which might be the work of giants,--such
as the nest of the mason-wasp. One is lost in astonishment at the
amount of patience and strength of will required for so colossal an
edifice.
Public-domain text, read in full here on John Shaqi.
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