Among the many church bells that rang on those bygone Sundays was that of St. John's, of which Dr. Gilman, of beloved memory, was rector. Dr. Gilman was a saint, and if you had had the good luck to be baptized or married or buried by him, you were probably fortunate in an earthly as well as heavenly sense. One has to be careful not to deal exclusively in superlatives, and yet it is not an exaggeration to say that St. John's was the most beautiful and churchly edifice in the city, thanks chiefly to several gentlemen of sense, and one gentleman, at least, of taste--Mr. Horace Bentley. The vicissitudes of civil war interrupted its building; but when, in 1868, it stood completed, its stone unsoiled as yet by factory smoke, its spire delicately pointing to untainted skies, its rose window glowing above the porch, citizens on Tower Street often stopped to gaze at it diagonally across the vacant lot set in order by Mr. Thurston Gore, with the intent that the view might be unobstructed. Little did the Goodriches and Gores, the Warings and Prestons and Atterburys and other prominent people foresee the havoc that prosperity and smoke were to play with their residential plans! One by one, sooty commerce drove them out, westward, conservative though they were, from the paradise they had created; blacker and blacker grew the gothic facade of St. John's; Thurston Gore departed, but leased his corner first for a goodly sum, his ancestors being from Connecticut; leased also the vacant lot he had beautified, where stores arose and hid the spire from Tower Street. Cable cars moved serenely up the long hill where a panting third horse had been necessary, cable cars resounded in Burton Street, between the new factory and the church where Dr. Gilman still preached of peace and the delights of the New-Jerusalem. And before you could draw your breath, the cable cars had become electric. Gray hairs began to appear in the heads of the people Dr. Gilman had married in the '60's and their children were going East to College. II In the first decade of the twentieth century, Asa, Waring still clung to the imposing, early Victorian mansion in Hamilton Street. It presented an uncompromising and rather scornful front to the sister mansions with which it had hitherto been on intimate terms, now fast degenerating into a shabby gentility, seeking covertly to catch the eye of boarders, but as yet refraining from open solicitation. Their lawns were growing a little ragged, their stone steps and copings revealing cracks.