Hodder looked at him with a new vision. His face was indeed lined and worn, and dark circles here under his eyes. But at Mrs. Constable's "Here's Mr. Hodder, dear," he came forward briskly to welcome the clergyman. "How do you do?" he said cordially. "We don't see you very often." "I have been telling Mr. Hodder that modern rectors of big parishes have far too many duties," said his wife. And after a few minutes of desultory conversation, the rector left. CHAPTER VI "WATCHMAN, WHAT OF THE NIGHT?" It was one of those moist nights of spring when the air is pungent with the odour of the softened earth, and the gentle breaths that stirred the curtains in Mr. Parr's big dining-room wafted, from the garden, the perfumes of a revived creation,--delicious, hothouse smells. At intervals, showers might be heard pattering on the walk outside. The rector of St. John's was dining with his great parishioner. Here indeed were a subject for some modern master, a chance to picture for generations to come an aspect of a mighty age, an age that may some day be deemed but a grotesque and anomalistic survival of a more ancient logic; a gargoyle carved out of chaos, that bears on its features a resemblance to the past and the future. Our scene might almost be mediaeval with its encircling gloom, through which the heavy tapestries and shadowy corners of the huge apartment may be dimly made out. In the center, the soft red glow of the candles, the gleaming silver, the shining cloth, the Church on one side--and what on the other? No name given it now, no royal name, but still Power. The two are still in apposition, not yet in opposition, but the discerning may perchance read a prophecy in the salient features of the priest. The Man of Power of the beginning of the twentieth century demands a subtler analysis, presents an enigma to which the immortal portraits of forgotten Medicis and Capets give no clew. Imagine, if you can, a Lorenzo or a Grand Louis in a tightly-buttoned frock coat! There must be some logical connection between the habit and the age, since crimson velvet and gold brocade would have made Eldon Parr merely ridiculous. He is by no means ridiculous, yet take him out of the setting and put him in the street, and you might pass him a dozen times without noticing him. Nature, and perhaps unconscious art, have provided him with a protective exterior; he is the colour of his jungle. After he has crippled you --if you survive--you will never forget him. You will remember his eye, which can be unsheathed like a rapier; you will recall his lips as the expression of a relentless negative. The significance of the slight bridge on the narrow nose is less easy to define. He is neither tall nor short; his face is clean-shaven, save for scanty, unobtrusive reddish tufts high on the cheeks; his hair is thin.