The hours of greatest suffering are the empty hours. 'Eloi, Eloi, lama sabachthani?' The hours when the mysterious sustaining and driving force is withdrawn, and a lassitude and despair comes over us like that of a deserted child: the hours when we feel we have reached the limit of service, when our brief span of usefulness is done. Had God brought him, John Hodder, to the height of the powers of his manhood only to abandon him, to cast him adrift on the face of the waters--led him to this great parish, with all its opportunities, only that he might fail and flee? He sat staring at the face of the Man on the cross. Did he, in his overwrought state, imagine there an expression he had never before remarked, or had the unknown artist of the seventies actually risen above the mediocrity of the figure in his portrayal of the features of the Christ? The rector started, and stared again. There was no weakness in the face, no meekness, no suggestion of the conception of the sacrificed Lamb, no hint of a beatific vision of opening heavens--and yet no accusation, no despair. A knowing--that were nearer--a knowing of all things through the experiencing of all things, the suffering of all things. For suffering without revelation were vain, indeed! A perfected wisdom that blended inevitably with a transcendent love. Love and wisdom were one, then? To reach comprehension through conquering experience was to achieve the love that could exclaim, "they know not what they do!" Human or divine? Man or God? Hodder found himself inwardly repeating the words, the controversy which had raged for nineteen hundred years, and not yet was stilled. Perfection is divine. Human! Hodder repeated the word, as one groping on the threshold of a great discovery . . . . III He was listening--he had for a long time been listening to a sound which had seemed only the natural accompaniment of the drama taking place in his soul, as though some inspired organist were expressing in exquisite music the undercurrent of his agony. Only gradually did he become aware that it arose from the nave of the church, and, turning, his eyes fell upon the bowed head and shoulders of a woman kneeling in one of the pews. She was sobbing. His movement, he recalled afterward, did not come of a conscious volition, as he rose and descended the chancel steps and walked toward her; he stood for what seemed a long time on the white marble of the aisle looking down on her, his heart wrung by the violence of her grief, which at moments swept through her like a tempest. She seemed still young, but poverty had marked her with unmistakable signs. The white, blue-veined hands that clung to the railing of the pew were thin; and the shirtwaist, though clean, was cheap and frayed. At last she rose from her knees and raised a tear-stained face to his, staring at him in a dumb bewilderment.