The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
The peoples that have taken the lead in this cultural growth, and more
particularly in the technological advance, have never lived under a
full grown and consistently worked out patriarchal system, nor have
they, therefore, ever fully assimilated that peculiarly personal and
arbitrarily authoritative scheme of anthropomorphic beliefs that
commonly goes with the patriarchal system. In the earlier phases of
their cultural experience, and until recently, they have lived in
small communities, under more or less of local self-government, and
have in great part shown some degree of religious scepticism and
insubordination. They have had some experience of the sea and of that
impersonal run of phenomena which the sea offers; which call on
those who have to do with the sea for patient observation of how such
impersonal forces work, and which constrain them to learn by trial
and error how these forces may be turned to account. Latterly, in the
days of their most pronounced technological advance, these peoples
have had experience of an economic and industrial system organised on
an unexampled scale, such as to constitute a very wide and inclusive
industrial community within which intercourse has been increasingly
easy and effective.
These circumstances have determined the range of their habituation
in its larger features; and these peoples have come under the
discipline of this situation with a spiritual endowment apparently
differing in some degree from what any other group of peoples has
ever brought to a similar task. How much of the outcome, cultural and
technological, is to be set down naïvely and directly to a peculiar
temperamental bent in this human raw material would be hazardous to
conjecture. Something seems fairly to be credited to that score. The
particular mixture of hybrids that goes to make up these peoples,
and in which the dolicho-blond enters more or less ubiquitously,
appears to lack a certain degree of subtlety, such as seems native
to many other peoples that have created civilisations of a different
complexion,--a subtlety that shows itself in a readiness for intrigue
and farsighted appreciation of the springs of human nature, and which
often shows itself also in high-wrought and stupendous constructions
of anthropomorphic myth and theology, religion and magic, as well as
in such large and fertile systems of creative art as will commonly
accompany these anthropomorphic creations. Those peoples that are
infused with an appreciable blond admixture have on the other hand,
not commonly excelled in the farther reaches of the spiritual life,
particularly not in the refinements of a sustained and finished
anthropomorphism. Their best efficiency has rather run to those
bull-headed deeds of force and those mechanic arts that touch closely
on the domain of the inorganic forces.
Public-domain text, read in full here on John Shaqi.
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