The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
Within the region of the Western Civilisation, both in north Europe
and repeatedly in the Ægean, the course of events has fallen out in
the line of the latter alternative; the growth of institutions has
shifted from the footing of prowess to that of prescriptive ownership.
So soon as this shift has securely been made, the development of trade,
industry and a technological system has come into the foreground, and
these habitual interests have then reacted on the character of the
institutions in force, thereby accelerating the growth of conditions
favourable to their own further advance. There is, of course, no marked
point of conjuncture in the cultural sequence at which this transition
may definitely be said to have been effected, but in a general way
it may be held that the point of transition has been passed so soon
as the current political and economic speculations uncritically give
precedence to the “commonweal” as against the fiscal interests of
the crown or the “state,” whereby the crown and its officers come,
in theory and public pronouncement, to be rated as guardians of the
community’s material welfare rather than autocratic exploiters of the
community’s productive capacity. Roughly from the same period there
will duly set in something of an acceleration in rate of improvement
in the state of the mechanic arts. This movement seems plainly to come
on the initiative of the lower or industrial classes and to be carried
by their genius, rather than by that of the ruling classes, whether
secular or spiritual. It shows itself, typically, in a growth of
handicraft and petty trade.
So the sense of workmanship and its associated sentiments again come,
by insensible degrees, to take the first place among the factors
that determine the run of habituation and therefore the character of
the resulting culture,--so making the transition from barbarism to
civilisation, in the narrower sense of the term; which is accordingly
to be characterised, in contrast with the predatory barbarian culture,
as a qualified or mitigated (sophisticated) return to the spirit
of savagery, or at least as a spiritual reversion looking in that
direction, though by no means abruptly reaching the savage plane. The
new phase has this in common with the typical savage culture that
workmanship rather than prowess again becomes the chief or primary norm
of habituation, and therefore of the growth of institutions; and that
there results, therefore, a peaceable bent in the ideals and endeavours
of the community. But it is workmanship combined and compounded with
ownership; that is to say workmanship coupled with an invidious
emulation and consequently with a system of institutions embodying a
range of prescriptive differential benefits.
_II. The Competitive System_
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