The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
The position of the craftsman in the economy of that time is peculiarly
suited to induce a conception of the individual workman as a creative
agent standing on his own bottom, and as an ultimate, irreducible
factor in the community’s make-up. He draws on the resources of his
own person alone; neither his ancestry nor the favour of his neighbours
have visibly yielded him anything beyond an equivalent for work done;
he owes nothing to inherited wealth or prerogative, and he is bound
in no relation of landlord or tenant to the soil. With his slight
outfit of tools he is ready and competent of his own motion to do the
work that lies before him, and he asks nothing but an even chance to
do what he is fit to do. Even the training which has given him his
finished skill he has come by through no special favour or advantage,
having given an equivalent for it all in the work done during his
apprenticeship and so having to all appearance acquired it by his
own force and diligence. The common stock of technological knowledge
underlying all special training was at that time still a sufficiently
simple and obvious matter, so that it was readily acquired in the
routine of work, without formal application to the learning of it; and
any indebtedness to the community at large or to past generations for
such common stock of information would therefore not be sufficiently
apparent to admit of its disturbing the craftsman’s naïve appraisal of
his productive capacity in the simple and complacent terms of his own
person.
The man who does things, who is creatively occupied with fashioning
things for use, is the central fact in the scheme of things under
the handicraft system, and the range of concepts by use of which
the technological problems of that era are worked out is limited by
the habit of mind so induced in those who have the work in hand and
in those who see it done. The discipline of the crafts inculcates
the apprehension of mechanical facts and processes in terms of
workmanlike endeavour and achievement; so that questions as to what
forces are available for use, and of how to turn them to account,
present themselves in terms of muscular force and manual dexterity.
Mechanical appliances for use in industry are designed and worked out
as contrivances to facilitate or to abridge manual labour, and it is in
terms of labour that the whole industrial system is conceived and its
incidence, value and output rated.
Public-domain text, read in full here on John Shaqi.
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