The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
More direct and obvious, though of no graver importance, is the
contribution made by the new technology to the means of coercion placed
at the disposal of the warlords, in the way of improved weapons and
armour, defences and warlike appliances. The improvements worked out
in the means of warfare during the early half of the era of handicraft
exceed in material effect and in boldness of conception all the
traceable improvements wrought in that line by all the warlike peoples
of classical antiquity and all the fighting aggregations of Asia and
Africa, from the beginning of the bronze age down to modern times.
The craftsmen spent their best endeavours and their most brilliant
ingenuity on this production of arms and munitions, with the result
that these articles still lie over in the modern collections as the
most finished productions of workmanship which that era has to show.
The (unintended) result at large was that these improved appliances
enabled the warlords and their fighting men to control the industrial
classes for their own ends and to levy exactions on trade and industry
up to the limit of what the traffic would bear, or perhaps more
commonly somewhat over that limit. It was, in this way, their own
technological mastery that furnished the means of their own undoing,
directly (mechanically speaking) and indirectly (in the resulting
growth of warlike sentiment).
That the craftsmen went so diligently into this production of ways
and means for their own discomfort and abiding defeat is due not to
any innately perverse bent of the sense of workmanship as it comes
to expression in the spirit of the handicraft community, but rather
to the exigencies created by the price system, with its principles
of self-help,--a secondary, conventional product of the handicraft
industry. As has been noted already, with perhaps tedious iteration,
there runs through the handicraft community a high-wrought spirit of
individual self-sufficiency. So soon as the petty trade has grown to
effective dimensions the individual workman comes into somewhat direct
relations with the market, and except for the collective interest
and action embodied in the gild organisations the craftsmen stand in
little else than a pecuniary relation to one another and bear little
else than a pecuniary responsibility to their fellow craftsmen or to
the community. It is the place of each to gain a livelihood by honest
work through his own individual skill and enterprise. Notoriously,
the craftsmen were in effect lacking in that sense of solidarity that
makes an efficient organisation for defence or offence; concerted
action, outside the regulative activity of the gild, was to be had only
with extreme difficulty on any other basis than individual pecuniary
advantage. Each worked for himself, with an eye steadily to the main
chance. And the main chance, from an early date in this era, meant gain
in terms of price. So the craftsman worked for such customers as would
Public-domain text, read in full here on John Shaqi.
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