The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
Modern life goes by clockwork. So much so that no modern household
can dispense with a mechanical timepiece; which may be more or less
accurate, it is true, but which commonly marks the passage of time with
a degree of exactness that would have seemed divertingly supererogatory
to the common man of the high tide of handicraft.[141] Latterly the
time so indicated, it should be called to mind, is “standard time,”
standardised to coincide over wide areas and to vary only by large and
standard units. It brings the routine of life to a nicely uniform
schedule of hours throughout a population which exceeds by many fold
the size of those communities that once got along contentedly enough
without such an expedient under the régime of handicraft. In this
matter the demands of the machine have even brought on a revision of
the time schedule imposed by the mechanism of the heavenly bodies, so
that not only “solar time,” but even the “mean solar time” that once
was considered to be a sufficient improvement on the ways of Nature,
has been superseded by the schedule imposed by the railway system.
The discipline of the timepiece is sufficiently characteristic of
the discipline exercised by the machine process at large in modern
life, and as a cultural factor, as a factor in shaping the habits of
thought of the modern peoples, it is itself moreover a fact of the
first importance. Of the standardisation of the time schedule just
spoken of, the earlier, the adoption of “mean solar time,” was due
immediately to the exigencies of the machine process as such, which
would not tolerate the seasonal fluctuations of “apparent” solar time.
This epithet “apparent,” by the way, carries a suggestion that the
time schedule so designated is less true to the actualities of the
case than the one which superseded it. And so it is if the actualities
to which regard is had are those of the machine process; whereas the
contrary is true if the actualities that are to decide are those of
the seasons, as they were under the earlier dispensation. “Standard
time” has gone into effect primarily through the necessities of
railway communication,--itself a dominant item in the mechanical
routine of life; but it is only in a less degree a requirement of
the other activities that go to make up the traffic of modern life.
The railway is one of the larger mechanical contrivances of the
machine age, and its exigencies in this respect are typical of what
holds true at large. Communication of whatever kind, as well as the
supply of other necessaries, is standardised in terms of time, space,
quantity, frequency, and indeed in all measurable dimensions; and the
“consumer,” as the denizens of these machine-made communities are
called, is required to conform to this network of standardisations in
his demand and uses of them, on pain of “getting left.” To “get left”
is a colloquialism of the machine era and describes the commonest form
of privation under the régime of the machine process.
Public-domain text, read in full here on John Shaqi.
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