The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
It was noted above that action by contact is not included, except by
subsumption, in the mathematical formulations of technology or science.
It should now be added that in all the concomitance and sequence
with which the mathematical formulations of mechanical phenomena are
occupied, the assumption of concomitance or sequence at a distance will
fill the requirements of the formulæ quite as convincingly and commonly
more simply than the assumption of concomitance by contact only. To
realise the difficulties which beset this postulate of action by
mechanical continuity solely, as well as the _prima facie_ imbecility
of the principle itself, it is only necessary to call to mind the
tortuous theories of gravitation designed to keep it intact, and the
prodigy of incongruous intangibilities known as the ether,--a rigid and
imponderable fluid.
Associated with the principle of action by mechanical continuity alone
is a second metaphysical postulate of science,--the conservation
of energy, or persistence of quantity. Like its fellow it does not
admit of empirical proof; yet it is likewise held to be of universal
application. This principle, that the quantity of matter or of energy
does not increase or diminish, or, perhaps better, that the quantity
of mechanical fact at large is invariable, has a better presumptive
claim to rank as a by-product of the machine technology; although such
a claim could doubtless be allowed only with broad qualifications.
Not that the principle was not known or not formally accepted prior
to the machine age; long ago the Roman scholar and the scholastic
philosophers after him declared _ex nihilo nihil, in nihilum nil posse
reverti_. But throughout the era of handicraft there continued also
to be devoutly held the postulate that the material universe had a
beginning in an act of creation, as also that it would some day come
to an end, a quantitative collapse. As the era of handicraft advanced
and, apparently, as the discipline of life under that technology
enforced the habitual acceptance of the proposition that the quantity
of material fact is constant, much ingenuity and much ambiguous speech
was spent in an endeavour to reconcile the mechanical efficiency of
the creative fiat with the dictum, _ex nihilo nihil fit_. But down to
the close of that era it remains true that, by and large, the peoples
of Christendom continued to believe in the mechanically creative
efficiency of the Great Artificer; although, it must be admitted, with
an ever growing apprehension that in this tenet of the faith they were
face to face with a divine mystery. The eighteenth-century scientists,
and many even in the nineteenth century, continued to profess belief in
a creative origin of material things, as well as also in a providential
guidance of material events,--which latter must have been conceived to
be exerted by some other means than action through mechanical contact,
since one term of the relation was conceived not to be of a mechanical
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