The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
This body of habitual principles and preconceptions is at the same
time the medium through which experience receives those elements
of information and insight on which workmanship is able to draw in
contriving ways and means and turning them to account for the uses of
life. And the conventional verities count in this connexion almost
wholly as obstructions to workmanlike efficiency. Worldly wisdom,
insight into the proprieties and expediencies of human intercourse,
the scheme of tabus, consanguinities, and magical efficacies, yields
very little that can effectually be turned to account for technological
ends. The experience gained by habituation under the stress of these
other proclivities and their derivative principles is necessarily
made use of in workmanship, and so enters into the texture of the
technological system, but a large part of it is of very doubtful value
for the purpose. Much of this experience runs at cross purposes with
workmanship, not only in that the putative information which this
experience brings home to men has none but a putative serviceability,
but also in that the habit of mind induced by its discipline obscures
that insight into matter of fact that is indispensable to workmanlike
efficiency.
* * * * *
But the most obstructive derangement that besets workmanship is what
may be called the self-contamination of the sense of workmanship
itself. This applies in a peculiar degree to the earlier or more
elementary phases of culture, but it holds true only with lessening
force throughout the later growth of civilisation. The hindrance
to technological efficiency from this source will often rise to
large proportions even in advanced communities, particularly where
magical, religious or other anthropomorphic habits of thought are
prevalent. The difficulty has been spoken of as anthropomorphism, or
animism,--which is only a more archaic anthropomorphism. The essential
trait of anthropomorphic conceptions, so far as bears on the present
argument, is that conduct, more or less fully after the human fashion
of conduct, is imputed to external objects; whether these external
objects are facts of observation or creatures of mythological fancy.
Such anthropomorphism commonly means an interpretation of phenomena in
terms of workmanship, though it may also involve much more than this,
particularly in the higher reaches of myth-making. But the simpler
anthropomorphic or animistic beliefs that pervade men’s every-day
thinking commonly amount to little if anything more than the naïve
imputation of a workmanlike propensity in the observed facts. External
objects are believed to do things; or rather it is believed that they
are seen to do things.
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