The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
The inanimate factors which early man has to turn to account as a
condition precedent to any appreciable advance in the industrial arts,
outside of husbandry and of the use of fruits and fibres associated
with it, do not lend themselves to an effectual approximation from the
anthropomorphic side. Flint and similar minerals are refractory, they
have no spiritual nature and no scheme or cycle of life that can be
interpreted in some passable fashion as the outcome of instinctive
propensities and workmanlike management. Anthropomorphic insight
does not penetrate into the secret ways of brute matter, for all the
reasonable concession to idiosyncracies, to recondite conceits, occult
means and devious methods, with which unsophisticated man stands ready
to meet them. He can see as far into a millstone as anyone along that
line; but that is not far enough to be of any use, and he is debarred
by his workmanlike common sense from systematically looking into the
matter along any other line. It is only the blindfold, unsystematic
accretions of opaque fact coming in, disjointed and unsympathetic, from
the inhuman side of his technological experience that can help him out
here. And experience of that kind can come upon him only inadvertently,
for he has no basis on which to systematise these facts as they come,
and so he has no means of intelligently seeking them. His intelligent
endeavours to get at the nature of things will perforce go on the mass
of knowledge which his intelligence has already comprehended, which
is a knowledge of human conduct. Anthropomorphism is almost wholly
obstructive in this field of brute matter, and in early times, before
much in the way of accumulated matter-of-fact knowledge had forced
itself upon men, the propensity to a teleological interpretation
seems to have been nearly decisive against technological progress in
the primary and indispensable mechanic arts. And in later phases of
culture, where anthropomorphic interpretations of workmanship have been
worked out into a rounded system of magic and religion, they have at
times brought the technological advance to a full stop, particularly on
the mechanical side, and have even led to the cancelment of gains that
should have seemed secure.
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