The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
class are often living in a state of squalor and discomfort, with a
population far short of what their environment would best support even
with their inefficient industrial organisation and equipment, and their
technology is usually ill-suited to a settled life and unpromising for
any possible advance to a higher culture. There is no urgent reason
for assuming that the races which have made their way to a greater
technological efficiency, with settled life and a large population,
must have come up from this particular phase of civilisation as their
starting point, or that such a culture should have been favourable to
the survival and increase of the leading racial stocks of Europe, since
it does not appear to be especially favourable to the success of the
communities known to be now living after that fashion.[76]
The preconception that early culture must have been warlike has not
yet disappeared even among students of these phenomena, though it is
losing their respect; but a derivative of it still has much currency,
to the effect that all savage peoples, as also the peoples of the
lower barbarism, live in a state of universal and unremitting fear,
particularly fear of the unknown. This chronic fear is presumed to
show itself chiefly in religion and other superstitious practices,
where it is held to explain many things that are otherwise obscure.
There is not a little evidence from extant savage communities looking
in this direction, and more from the lower barbarian cultures
that are characteristically warlike.[77] Wherever this animus is
found its effect is to waste effort and divert it to religious and
magical practices and so to hinder the free unfolding of workmanship
by enjoining a cumbersome routine of ritual and by warning the
technologist off forbidden ground. But it is doubtless a hasty
generalisation to carry all this over uncritically and make it apply
to all peoples of the lower culture, past and present. It is known not
to be true of many existing communities,[78] and the evidence of it in
some ancient cultures is very dubious. Such a characterisation of the
neolithic culture of Europe, whether north-European or Ægean, finds no
appreciable support in the archæological evidence. These two regions
are the most significant for the neolithic period in Europe, and the
material from both is relatively very poor in weapons, as contrasted
with tools, on the one hand, and there is at the same time little or
nothing to indicate the prevalence of superstitious practices based
on fear. Indeed, the material is surprisingly poor in elements of any
kind that can safely be set down to the account of religion or magic,
whether as inspired by fear or by more genial sentiments. It is one of
the puzzles that beset any student who insists on finding everywhere a
certain normal course of cultural sequence, which should in the early
times include, among other things, a fearsome religion, a wide fabric
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