The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
of magical practices, and an irrepressible craving for manslaughter.
And when, presently, something of a symbolism and apparatus of
superstition comes into view, in the late neolithic and bronze ages,
the common run of it is by no means suggestive of superstitious fear
and religious atrocities. The most common and characteristic objects
of this class are certain figurines and certain symbolical elements
suggestive of fecundity, such as might be looked for in a peaceable,
sedentary, agricultural culture on a small scale.[79] A culture
virtually without weapons, whose gods are mothers and whose religious
observances are a ritual of fecundity, can scarcely be a culture of
dread and of derring-do. With the fighting barbarians, on the other
hand, male deities commonly take the first rank, and their ritual
symbolises the mastery of the god and the servitude of the worshipper.
It is true, of course, that both of weapons and of cult objects far
the greater number that were once in use will have disappeared,
since most of the implements and utensils of stone-age cultures are,
notoriously, made of wood or similar perishable materials.[80] So that
the finds give no complete series of the appliances in use in their
time; whole series of objects that were of first-rate importance in
that culture having probably disappeared without leaving a trace. But
what is true in this respect of weapons and cult objects should be
equally true of tools, or nearly so. So that the inference to be drawn
from the available material would be that the early neolithic culture
of north Europe, the Ægean, and other explored localities presumed
to belong in the same racial and cultural complex, must have been of
a prevailingly peaceable complexion. With the advance in technology
and in the elaboration and abundance of objects that comes into sight
progressively through the later neolithic period, down to its close,
this disproportion between tools and weapons (and cult objects) grows
more impressive and more surprising. Hitherto this disproportion has
been more in evidence in the Scandinavian finds than in the other
related fields of stone-age culture, unless an exception should be made
in favour of the late neolithic sites explored at Anau.[81] But this
archæological outcome, setting off the Baltic stone age as peculiarly
scant of weapons and peculiarly rich in tools, may be provisional only,
and may be due to the more exhaustive exploration of the Scandinavian
countries and the uncommonly abundant material from that region. In
the later (mainly Scandinavian) neolithic material, where the weapons
are to be counted by dozens the tools are to be counted by hundreds,
according to a scheme of classification in which everything that can be
construed as a weapon is so classed, and there are many more hundreds
of the one class than there are dozens of the other.[82] As near as
can be made out, cult objects are similarly infrequent among these
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