The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
prosperous, and highly skilled in those industrial arts that lay within
their technological range.
Apart from the pottery, which may have some merit as an art product,
there is very little left to show what may have been their proficiency
in the decorative arts, or what was their social organisation or their
religious life. The evidences of warlike enterprise and religious
practices are surprisingly scanty, being chiefly the doubtful evidence
of many and somewhat elaborate tombs. From the tombs (mounds and
barrows) and their distribution something may be inferred as to the
social organisation; and the evidence on this head seems to indicate
a widespread agricultural population, living (probably) in small
communities, without much centralised or authoritative control, but
with some appreciable class differences in the distribution of wealth
in the later phases of the period.
With interruptions, more or less serious, from time to time, and with
increasing evidence of a penchant for warlike or predatory enterprise
on the one hand and of class distinctions on the other hand, much the
same story runs on through the ages of bronze and early iron. Evidences
of borrowing from outside, mainly the borrowing of decorative technique
and technological elements, are scattered through the course of this
development from very early times, showing that there was always some
intercourse, perhaps constant intercourse, with other peoples more or
less distant. So that in time, by the beginning of the bronze age,
there is evidence of settled trade relations with peoples as remote as
the Mediterranean seaboard.
Public-domain text, read in full here on John Shaqi.
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