I should define each kind of knowledge as an organic whole and soundness
as the complete possession of all the essential parts. For example,
soundness in violin-playing consists in being able to play the notes in
all the positions, in tune, and with a pure intonation, whatever may be
the degree of rapidity indicated by the musical composer. Soundness in
painting consists in being able to lay a patch of color having exactly
the right shape and tint. Soundness in the use of language consists in
being able to put the right word in the right place. In each of the
sciences, there are certain elementary notions without which sound
knowledge is not possible, but these elementary notions are more easily
and rapidly acquired than the elaborate knowledge or confirmed skill
necessary to the artist or the linguist. A man may be a sound botanist
without knowing a very great number of plants, and the elements of
sound botanical knowledge may be printed in a portable volume. And so it
is with all the physical sciences; the elementary notions which are
necessary to soundness of knowledge may be acquired rapidly and at any
age. Hence it follows that all whose leisure for culture is limited, and
who value soundness of knowledge, do wisely to pursue some branch of
natural history rather than languages or the fine arts.
It is well for every one who desires to attain a perfect economy of
time, to make a list of the different pursuits to which he has devoted
himself, and to put a note opposite to each of them indicating the
degree of its unsoundness with as little self-delusion as may be. After
having done this, he may easily ascertain in how many of these pursuits
a sufficient degree of soundness is attainable for him, and when this
has been decided he may at once effect a great saving by the total
renunciation of the rest. With regard to those which remain, and which
are to be carried farther, the next thing to be settled is the exact
limit of their cultivation. Nothing is so favorable to sound culture as
the definite fixing of limits. Suppose, for example, that the student
said to himself "I desire to know the flora of the valley I live in,"
and then set to work systematically to make a herbarium illustrating
that flora, it is probable that his labor would be more thorough, his
temper more watchful and hopeful, than if he set himself to the
boundless task of the illimitable flora of the world. Or in the pursuit
of fine art, an amateur discouraged by the glaring unsoundness of the
kind of art taught by ordinary drawing-masters, would find the basis of
a more substantial superstructure on a narrower but firmer ground.
Suppose that instead of the usual messes of bad color and bad form, the
student produced work having some definite and not unattainable purpose,
would there not be, here also, an assured economy of time? Accurate
drawing is the basis of soundness in the fine arts, and an amateur, by
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