The International Magazine, Volume 2, No. 2, January, 1851Various
History
The International Magazine, Volume 2, No. 2, January, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
In 1831 an anonymous romance was published by Marsh & Capen, of Boston.
It was attributed by some to Willis, and by others to Mrs. Child, then
Miss Francis. It illustrated a fine and peculiar genius, but was soon
forgotten. Mr. Goodrich appreciated its merits, and applied to the
publishers for the name of the author, that he might engage him as a
contributor to "The Token." They declined to disclose his secret, but
offered to forward a letter to him. Mr. Goodrich wrote one, and received
an answer signed by NATHANIEL HAWTHORNE, many of whose best productions,
as "Sights from a Steeple," "Sketches under an Umbrella," "The Prophetic
Pictures," "Canterbury Pilgrims," &c., appeared in this annual. In 1839,
Mr. Goodrich suggested to Mr. Hawthorne the publication of a collection
of his tales, surrendering his copyrights to several of them for this
purpose; but so little were the extraordinary qualities of this
admirable author then understood, that the publishers would not venture
upon such an experiment without an assurance against loss, which Mr.
Goodrich, as his friend, therefore gave. The public judgment will be
entitled to little respect, if the copyright of the works of Hawthorne
be not hereafter a most ample fortune.
Mr. Goodrich soon abandoned the business of publishing, and, though
still editing "The Token," devoted his attention chiefly to the writing
of that series of educational works, known as _Peter Parley's_, which
has spread his fame over the world. The whole number of these volumes is
about sixty. Among them are treatises upon a great variety of subjects,
and they are remarkable for simplicity of style and felicity of
illustration. Mr. Goodrich has accomplished a complete and important
revolution in juvenile reading, substituting truth and nature for
grotesque fiction in the materials and processes of instruction, and
his method has been largely imitated, at home and abroad. In England
many authors and publishers have disgraced the literary profession by
works under the name of "Parley," with which he has had nothing to do,
and which have none of his wise and genial spirit.
Public-domain text, read in full here on John Shaqi.
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