The International Magazine, Volume 2, No. 2, January, 1851 — John Shaqi
The International Magazine, Volume 2, No. 2, January, 1851Various
History
The International Magazine, Volume 2, No. 2, January, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
One of our most distinguished sculptors was summoned, a short time
since, to the house of a young lady, connected by birth with a family of
the highest grade in the aristocracy of wealth, and united in marriage
to the heir of a title illustrious in the military annals of the empire.
The union, formed under the happiest auspices, had been, alas! of short
duration. Death, unpitying death, had ruptured it, by prematurely
carrying off the young husband. The sculptor was summoned by the widow.
He traversed the apartments, silent and deserted, until he was
introduced into a bedroom, and found himself in presence of a lady,
young and beautiful, but habited in the deepest mourning, and with a
face furrowed by tears. "You are aware," said she, with a painful
effort, and a voice half choked by sobs, "you are aware of the blow
which I have received?" The artist bowed, with an air of respectful
condolence. "Sir," continued the widow, "I am anxious to have a funeral
monument erected in honor of the husband whom I have lost." The artist
bowed again. "I wish that the monument should be superb, worthy of the
man whose loss I weep, proportioned to the unending grief into which his
loss has plunged me. I care not what it costs. I am rich, and I will
willingly sacrifice all my fortune to do honor to the memory of an
adored husband. I must have a temple--with columns--in marble--and in
the middle--on a pedestal--his statue."
"I will do my best to fulfil your wishes, madam," replied the artist;
"but I had not the honor of acquaintance with the deceased, and a
likeness of him is indispensable for the due execution of my work.
Without doubt, you have his portrait?"
The widow raised her arm and pointed despairingly to a splendid likeness
painted by Amaury Duval.
"A most admirable picture!" observed the artist, "and the painter's name
is a sufficient guarantee for its striking resemblance to the original."
"Those are his very features, sir; it is himself. It wants but life. Ah!
would that I could restore it to him at the cost of all my blood!"
"I will have this portrait carried to my studio, madam, and I promise
you that the marble shall reproduce it exactly."
The widow, at these words, sprung up, and at a single bound throwing
herself towards the picture, with arms stretched out as though to defend
it, exclaimed, "Take away this portrait! carry off my only consolation!
my sole remaining comfort! never! never!"
"But madam, you will only be deprived of it for a short time, and--"
"Not an hour! not a minute! could I exist without his beloved image!
Look you, sir, I have had it placed here, in my own room, that my eyes
might be fastened upon it, without ceasing, and through my tears. His
portrait shall never leave this spot one single instant, and in
contemplating _that_ will I pass the remainder of a miserable and
sorrowful existence."
Public-domain text, read in full here on John Shaqi.
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