The International Magazine, Volume 2, No. 2, January, 1851Various
History
The International Magazine, Volume 2, No. 2, January, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
A MR. CHUBB has published in London, in a small volume, a paper which he
read before the Institution of Civil Engineers, on the construction of
locks and keys. It embraces a history of the lock and key from the
earliest ages, illustrated profusely with wood cuts. It forms an
instructive and entertaining essay; but we think Mr. Chubb might have
learned something more of the subject in the lock factories of Newark
and this city.
* * * * *
MR. TICKNOR'S History of Spanish Literature has been translated into
German, and is announced for publication by Brockhaus.
* * * * *
MR. DICKEN'S "David Copperfield" is at length completed, and Mr. Wiley
has published it in two handsome volumes, profusely illustrated. There
is a variety of opinions among the critics as to its rank among the
works of "Boz"; but it is not contended by any that it evinces a decay
of his extraordinary and peculiar genius. We copy a paragraph which
strikes us as just, from the _Spectator_:
"This story has less of London life and town-bred character
than most of its predecessors; but what may thus be gained in
variety is lost in raciness, breadth, and effect. The peculiar
classes forced into existence by the hotbed of a great city,
and owing a part of their gusto to town usage, may be narrow
enough if compared with general nature, but they are broader
than the singularities whom Mr. Dickens copies or invents as
representatives of genteel country life, or human nature in
general. In the mere style there is frequently an
improvement--less effort and greater ease, with occasional
touches of the felicity of Goldsmith; but we should have
thought the work was likely to be less popular than many of the
previous tales of Mr. Dickens, as well as rather more open to
unfavorable criticism. Any prose fiction that is to take rank
in the first class, must have what in epic poetry is called a
fable,--some lesson of life embodied in a story that combines
the utile and the dulce. This fable should not only please the
reader by its succession of coherent events, and by the variety
of its persons and fortunes, but should touch by appeals to the
common kinship of humanity, and teach worldly conduct of
ethical lessons by particular incidents, as well as by the
general development. And when this end is attained, whether by
design or instinct, technical rules are readily forgotten; even
the great rule of unity of action can be dispensed with. It
does not appear that Mr. Dickens has the critical training
necessary to feel the importance of this principle, or a
knowledge of life sufficiently deep and extensive to enable him
to embody it unconsciously, as a well-chosen story will always
compel an author to do. So far as _David Copperfield_ appears
Public-domain text, read in full here on John Shaqi.
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