The International Magazine, Volume 4, No. 5, December 1851Various
History
The International Magazine, Volume 4, No. 5, December 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
To meet a perambulating and persuasive _Bouquetière_ who places a
flower in your coat and waits for a pecuniary acknowledgment, is
scarcely a rare adventure in Paris; but I was interested--unaccountably
so--in this young girl: her whole manner and bearing was so different
and distinct from all others of her calling. Without any of that
appearance which, in England, we are accustomed to call "theatrical,"
she was such a being as we can scarcely believe in out of a ballet.
Not, however, that her attire departed--except, perhaps, in a certain
coquettish simplicity--from the conventional mode: its only decorations
seemed to be ribbons, which also gave a character to the little cap
that perched itself with such apparent insecurity upon her head. Living
a life that seemed one long summer's day--one floral _fête_--with a
means of existence that seemed so frail and immaterial--she conveyed an
impression of _unreality_. She might be likened to a Nymph, or a Naiad,
but for the certain something that brought you back to the theatre,
intoxicating the senses, at once, with the strange, indescribable
fascinations of hot chandeliers--close and perfumed air--footlights,
and fiddlers.
Evening after evening I saw the same girl--generally at the same
place--and, it may be readily imagined, became one of the most constant
of her _clientelle_. I learned, too, as many facts relating to her as
could be learned where most was mystery. Her peculiar and persuasive
mode of disposing of her flowers (a mode which has since become worse
than vulgarized by bad imitators) was originally her own graceful
instinct--or whim, if you will. It was something new and natural, and
amused many, while it displeased none. The sternest of stockbrokers,
even, could not choose but be decorated. Accordingly, this new Nydia
of Thessaly went out with her basket one day, awoke next morning, and
found herself famous.
Meantime there was much discussion, and more mystification, as to who
this Queen of Flowers could be--where she lived--and so forth. Nothing
was known of her except her name--Hermance. More than one adventurous
student--you may guess I am stating the number within bounds--traced
her steps for hour after hour, till night set in--in vain. Her flowers
disposed of, she was generally joined by an old man, respectably clad,
whose arm she took with a certain confidence, that sufficiently marked
him as a parent or protector; and the two always contrived sooner or
later, in some mysterious manner, to disappear.
After all stratagems have failed, it generally occurs to people to
ask a direct question. But this in the present case was impossible.
Hermance was never seen except in very public places--often in
crowds--and to exchange twenty consecutive words with her, was
considered a most fortunate feat. Notwithstanding, too, her strange,
wild way of gaining her livelihood, there was a certain dignity in her
manner which sufficed to cool the too curious.
Public-domain text, read in full here on John Shaqi.
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