The International Magazine, Volume 4, No. 5, December 1851Various
History
The International Magazine, Volume 4, No. 5, December 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
As for the directors of the theatres, they exhibited a most appropriate
amount of madness on her account; and I believe that at several of the
theatres, Hermance might have commanded her own terms. But only one of
these miserable men succeeded in making a tangible proposal, and he
was treated with most glorious contempt. There was, indeed, something
doubly dramatic in the _Bouquetière's_ disdain of the drama. She who
_lived_ a romance could never descend to act one. She would rather be
Rosalind than Rachel. She refused the part of Cerito, and chose to be
an Alma on her own account.
It may be supposed that where there was so much mystery, imagination
would not be idle. To have believed all the conflicting stories
about Hermance, would be to come to the conclusion that she was
the stolen child of noble parents, brought up by an _ouvrier_; but
that somehow her father was a tailor of dissolute habits, who lived
a contented life of continual drunkenness, on the profits of his
daughter's industry;--that her mother was a deceased duchess--but,
on the other hand, as alive, and carried on the flourishing business
of a _blanchisseuse_. As for the private life of the young lady
herself, it was reflected in such a magic mirror of such contradictory
impossibilities, in the delicate discussion held upon the subject, that
one had no choice but disbelieve every thing.
One day a new impulse was given to this gossip by the appearance of
the _Bouquetière_ in a startling hat of some expensive straw, and of a
make bordering on the ostentatious. It could not be doubted that the
profits of her light labors were sufficient to enable her to multiply
such finery to almost any extent, had she chosen; but in Paris the
adoption of a bonnet or a hat, in contradistinction to the little cap
of the _grisette_, is considered an assumption of a superior grade,
and unless warranted by the "position" of the wearer, is resented
as an impertinence. In Paris, indeed, there are only two classes of
women--those with bonnets and those without; and these stand in the
same relation to one another, as the two great classes into which the
world may be divided--the powers that be, and the powers that want to
be. Under these circumstances, it may be supposed that the surmises
were many and marvellous. The little _Bouquetière_ was becoming
proud--becoming a lady;--but how? why? and above all--where? Curiosity
was never more rampant, and scandal never more inventive.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account