The International Magazine, Volume 4, No. 5, December 1851Various
History
The International Magazine, Volume 4, No. 5, December 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
These reflections arose from a story with which, not long ago, I became
acquainted. A common tale enough--one among a thousand illustrations of
what Butler affirms to be the indispensable condition upon which it has
pleased our Creator that we should hold our being:--that of controlling
our own actions; either by prudence to pass our days in ease and quiet;
or, by rashness, ungoverned passion, wilfulness, or negligence, to make
ourselves miserable.
He is sitting on the bottom stone of a magnificent flight of steps,
which lead up to a handsome door, situated in the centre of a large
many-windowed house, which, fronted with handsome iron rails round
the area, is built of fine brick, and ornamented with abundance of
stone-work, in cornices and architraves. This house stands in one of
the best streets in the neighborhood of Grosvenor Square.
He is clothed in garments that once were fashionable; but now are
discolored with much wear and long exposure to wind and weather; so
much so, that, in several places, they are falling into tatters. His
face--the features of which are very finely cut, and still bear the
traces of a once very remarkable beauty--is wan, attenuated, and
begrimed with dust, dirt, and neglect. His eyes are haggard; his hair
dusty and dishevelled--his beard ragged and untrimmed.
He is the picture of physical decay, and of the lowest depths of
moral degradation. He sits there upon the stone, sometimes watching
the street-sweeper--a little tattered boy cheerily whistling over his
work--now and then casting up his eyes at the closed windows of the
handsome house, upon which the beams of the rising sun are beginning
to shine; but to shine in vain at present; for it is only about six
o'clock in the morning, and life has not yet begun to stir within the
mansion.
His cheek rests upon his thin, withered, and unwashed hand, as he casts
his eyes first upwards, then downwards, then slowly, and with a sort of
gloomy indifference, around.
He looks upward. Is it towards the sky; where the great lord of
earthly light--type of that more Glorious Sun which should arise "with
healing on its wings"--is diffusing the cheering effulgence of the
dawn, calling forth the fresh and wholesome airs of the morning, and
literally chasing away the noisome spirits of the night? Is he looking
there?
No; he is no seeker of the light; he feels not its blessed influence;
he heeds not the sweet fresh rising of the morning as it breathes over
the polluted city, and pours, for a few short moments, its fresh,
crisp, cheering airs into the closest and most noisome of her quarters.
He cares not for that delicious brightness which gives to the vast town
a pure and peculiar clearness for a few half hours, whilst all the
world are asleep, and the streets are yet guiltless of sin and sea-coal.
Public-domain text, read in full here on John Shaqi.
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