The International Magazine, Volume 4, No. 5, December 1851Various
History
The International Magazine, Volume 4, No. 5, December 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
What has light; the pure breath of the morning; the white rays of the
early sun; and the soft, quiet, and refreshing stillness of the hour,
to do with him? He only lifts up his eyes to examine a house: he only
casts them around to observe what goes on in the streets; he is of the
earth, earthy,--the sacred odor exists not for him.
Yet, in the deep melancholy, the expression of harrowing regret with
which he _did_ look up at that house--even in the very depths of his
moral degradation and suffering--the seeds of better things might be
germinating. Who shall say? He has sounded the very base-string of
misery: he touches ground at last--that may be something.
The sparrows chirped in the rays of the sun, and the little sweeper
whistled away. Different figures began sparingly to appear, and one
by one crept out; objects of strange aspect who seem to come, one
knows not whence;--the old clothes-man, with his low and sullen
croak; country carts; milk-men, rattling their cans against area
rails; butcher-boys swinging their trays. Presently were heard,
immediately below where the man was sitting, the sounds of awakening
life;--unlocking of doors, opening of windows, the pert voices of the
women servants, and the surly responses of the men; shutters above
began to be unfolded, and the eyes of the large house gradually to
open. The man watched them--his head resting still upon his hand,
and his face turned upwards--until, at length, the hall-door opened,
displaying a handsome vestibule, and a staircase gay with painting and
guilding. A housemaid issued forth to shake the door-mat.
Then he arose and slowly moved away; every now and then casting a
wistful glance backwards at the house, until he turned the corner, and
it was lost to his sight.
Thus he left a place which once had been his own.
With his head bent downwards, he walked slowly on; not properly
pursuing his way--for he had no way nor object to pursue--but
continuing his way, as if he had, like a ball once set in motion, no
motive to stand still. He looked neither to the right nor to the left;
yet seemed mechanically to direct his footsteps towards the north. At
length, he slowly entered one of the larger streets in the neighborhood
of Portland Place. His attention was excited by a bustle at the door
of one of the houses, and he looked up. There was a funeral at a house
which stood in this street a little detached from the others. The
plumes were white. It was the funeral of an unmarried person. Why did
his heart quiver? Why did he make a sudden pause? Had he never seen a
funeral with white plumes before in his life?
Was it by some mysterious sympathy of nature that this reckless,
careless, fallen man--who had looked at the effigies of death, and
at death itself, hundreds and hundreds of times, with negligent
unconcern--shuddered and turned pale, as if smitten to the heart by
some unanticipated horror?
Public-domain text, read in full here on John Shaqi.
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