attack which embittered enemies have found in his whole life, are his unconsidered mutterings when a stripling of only thirteen, living in times of high political excitement, and among a people who were all of one way of thinking. How few pass through life with characters so pure and unassailable! But what chiefly contributed to give Mr. Bryant rank as a poet, was the publication, in the North American Review of 1816, of the poem of Thanatopsis, written four years before, in 1812. That a young man, not yet nineteen, should have produced a poem so lofty in conception, and so beautiful in execution, so full of chaste language, and delicate and striking imagery--and above all, so pervaded by a noble and cheerful religious philosophy--may well be regarded as one of the most wonderful events of literary history. And the wonder is increased when we learn, that this sublime lyric was followed, in the course of the few next years, by the "Inscription for an Entrance into a Wood," written in 1813, and published in the North American in 1817; by the "Waterfowl," written in in 1816, and published in 1818; and by the "Fragment of Simonides," written in 1811, and published in 1818. In 1821, he wrote his largest poem, "The Ages," which was delivered before the Phi Beta Kappa Society of Harvard College, and soon after published at Boston, in a small volume, in connection with the poems we have already mentioned, and some others. The appearance of this volume at once established the fame of Mr. Bryant as a poet. In the same year Mr. Bryant married a young and amiable lady, Miss Fairchild, of Great Barrington, Mass., whither he had removed to prosecute his profession. He was both skilful and successful as a lawyer, but the labor of the vocation clashing with his poetic and moral sensibilities, induced him, after a ten years' practice, to remove, in 1825, to the city of New-York, to commence a career of literary effort. His fame, which had preceded him, soon procured him the editorship of the New-York Review, which he managed, in connection with other gentlemen, with great industry and talent. About the same time he joined Mr. Gulian C. Verplanck, Mr. Robert Sands, and Fitz-Greene Halleck, and several young artists of the city, in the production of an Annual called "The Talisman," which for beauty and variety of contents, has not been surpassed, even in these more prolific days of Annuals. Some of Mr. Bryant's contributions to it place him as a prose writer beside the best of any nation. The narrative of the "Whirlwind," for accurate description, condensed energy and eloquence of expression, and touching incident, has always struck us as one of the master-pieces of writing.