MR. STEPHENS, the author of "Martinuzzi," and the "Manuscripts of Erdely," died on the 8th of October, in Camden-town. He was in his fifty-first year, and, in early life, had produced several tragic dramas that commanded the attention of critics, both foreign and native. Schlegel abroad, and "minor Beddoes" at home, praised his tragedies of "Montezuma" and the "Vampire;" and, at a later period, his "Gertrude and Beatrice" excited, among the few who take an interest in dramatic poetry, great admiration. His last work consisted of "Dramas for the Stage," in two volumes, but it was only privately circulated. Mr. Stephens' dramatic poetry was distinguished by intense passion and fervor; but at the early part of his career, he lacked the constructive power. Finding that the stage monopoly, so long existing, was an effectual bar to the higher original drama being produced, he joined, about the year 1841, a guild of zealous literary young men, who were bent on doing something towards theatrical reform. Mrs. Warner and Mr. Phelps united themselves to these dramatic aspirants; and the result was, that the Lyceum Theatre was taken for a month, for the performance of a new five-act tragedy, notwithstanding the existing law to the contrary. The tragedy was licensed as an opera in three acts, and was at length acted with some of the songs retained. This retention of musical irrelevancies, in obedience to the law, while it made the law itself absurd, could not fail of injuring the drama in which they were introduced; and, had its merits not been extraordinary, "Martinuzzi," under such circumstances, could not have lived a single night. As it was, it struggled through the month, making partisans to the experiment, though at the sacrifice of the author's means and feelings. Mr. Stephens accepted the martyrdom freely, and went through it nobly, for the sake of the cause which to his death he held sacred. Moreover, he would have continued the contest, but that he was strongly advised to the contrary by Mr. Sheridan Knowles, and Mr. John A. Heraud, the latter of whom had been actively engaged in getting up "Martinuzzi," but thought that sufficient demonstration had been made. In this he was right, as it subsequently proved; for, shortly after, in conjunction with Mr. Edward Mayhew and some other gentlemen, he was a party to the drawing up, in committee, of a bill for the liberation of the stage, the draft of which was forwarded to Sir Robert Peel, who placed it in the hands of Lord Mahon, by whom it was carried through Parliament; and thus every theatre was enabled legally to perform the Shakspearian and five-act drama. Mr. George Stephens himself, sick of dramatic disappointment, turned his ardent mind into a new channel, and became involved in railway speculations, and in them lost his fortune. His latter days were accordingly passed in narrow circumstances, accompanied with physical prostration quite deplorable. They who had